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Performance and the performing arts

Amanda Rogers Orcid Logo, Charlotte Veal

Introducing Human Geographies, Pages: 334 - 348

Swansea University Author: Amanda Rogers Orcid Logo

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DOI (Published version): 10.4324/9780429265853-30

Abstract

This chapter discusses how geographers have become interested in the theoretical and empirical possibilities of the performance. It provides an overview of how geographers have approached performance, particularly as part of a creative ‘turn’. We identify geopolitics and identity as key areas of res...

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Published in: Introducing Human Geographies
ISBN: 9780367211769 9780429265853
Published: London Routledge 2024
URI: https://cronfa.swan.ac.uk/Record/cronfa71552
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spelling 2026-04-28T11:36:28.1146648 v2 71552 2026-03-04 Performance and the performing arts 5ddde1ecc99923098fd92c797ee0020b 0000-0002-0454-8183 Amanda Rogers Amanda Rogers true false 2026-03-04 BGPS This chapter discusses how geographers have become interested in the theoretical and empirical possibilities of the performance. It provides an overview of how geographers have approached performance, particularly as part of a creative ‘turn’. We identify geopolitics and identity as key areas of research enquiry where bodily practices both reinforce and re-create geographical phenomena. The chapter builds on discussions of more-than-representational theory in the ‘Foundations’ section and showcases the performing arts as central concerns in cultural geography. Book chapter Introducing Human Geographies 334 348 Routledge London 9780367211769 9780429265853 9 7 2024 2024-07-09 10.4324/9780429265853-30 COLLEGE NANME Biosciences Geography and Physics School COLLEGE CODE BGPS Swansea University 2026-04-28T11:36:28.1146648 2026-03-04T15:33:37.0067001 Faculty of Science and Engineering School of Biosciences, Geography and Physics - Geography Amanda Rogers 0000-0002-0454-8183 1 Charlotte Veal 2 351
title Performance and the performing arts
spellingShingle Performance and the performing arts
Amanda Rogers
title_short Performance and the performing arts
title_full Performance and the performing arts
title_fullStr Performance and the performing arts
title_full_unstemmed Performance and the performing arts
title_sort Performance and the performing arts
author_id_str_mv 5ddde1ecc99923098fd92c797ee0020b
author_id_fullname_str_mv 5ddde1ecc99923098fd92c797ee0020b_***_Amanda Rogers
author Amanda Rogers
author2 Amanda Rogers
Charlotte Veal
format Book chapter
container_title Introducing Human Geographies
container_start_page 334
publishDate 2024
institution Swansea University
isbn 9780367211769
9780429265853
doi_str_mv 10.4324/9780429265853-30
publisher Routledge
college_str Faculty of Science and Engineering
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hierarchy_top_id facultyofscienceandengineering
hierarchy_top_title Faculty of Science and Engineering
hierarchy_parent_id facultyofscienceandengineering
hierarchy_parent_title Faculty of Science and Engineering
department_str School of Biosciences, Geography and Physics - Geography{{{_:::_}}}Faculty of Science and Engineering{{{_:::_}}}School of Biosciences, Geography and Physics - Geography
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description This chapter discusses how geographers have become interested in the theoretical and empirical possibilities of the performance. It provides an overview of how geographers have approached performance, particularly as part of a creative ‘turn’. We identify geopolitics and identity as key areas of research enquiry where bodily practices both reinforce and re-create geographical phenomena. The chapter builds on discussions of more-than-representational theory in the ‘Foundations’ section and showcases the performing arts as central concerns in cultural geography.
published_date 2024-07-09T07:56:19Z
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score 11.10461

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