Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season

Rogers, Amanda; Tola, Say; Monthary, Meth; Seyhah, Ven; Nicholas, Larissa

doi:10.23889/SUreport.65084

Consultancy Report 127 views 29 downloads

Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season

Amanda Rogers

, Say Tola, Meth Monthary, Ven Seyhah, Larissa Nicholas

Swansea University Authors: Amanda Rogers , Larissa Nicholas

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អត្ថបទនៃការចូលរួមទស្សនិកជនកម្ពុជាក្នុងវិស័យសិល្បៈ © 2023, The Authors ត្រូវបានផ្តល់អាជ្ញាប័ណ្ណក្រោមអាជ្ញាប័ណ្ណ Creative Commons Attribution-NonCommercial 4.0 International License ។ https://creativecommons.org/licenses/by-nc/4.0/ ។ រូបភាពទាំងអស់គឺជាកម្មវត្ថុនៃការរក្សាសិទ្ធិដាច់ដោយឡែក។ រក្សាសិទ្ធិរូបភាពទាំងអស់។
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DOI (Published version): 10.23889/SUreport.65084

Abstract

Project ReportThere is growing research on arts audiences - particularly regarding theatre and dance (Sedgman 2019; Walmsley 2019; Reason et al 2022). However, much of this work remains centred on the ‘Global North’ and there is little published research on arts audiences in South East Asia in gener...

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Published:	Swansea 2023
Online Access:	https://doi.org/10.23889/SUreport.65084
URI:	https://cronfa.swan.ac.uk/Record/cronfa65084
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first_indexed	2023-11-27T12:47:24Z
last_indexed	2023-11-27T12:47:24Z
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spelling	v2 65084 2023-11-24 Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season 5ddde1ecc99923098fd92c797ee0020b 0000-0002-0454-8183 Amanda Rogers Amanda Rogers true false 1f94486c34f5b8272a65b750a3c7f9f2 Larissa Nicholas Larissa Nicholas true false 2023-11-24 SGE Project ReportThere is growing research on arts audiences - particularly regarding theatre and dance (Sedgman 2019; Walmsley 2019; Reason et al 2022). However, much of this work remains centred on the ‘Global North’ and there is little published research on arts audiences in South East Asia in general, and Cambodia in particular. The exception to this is our previous report (Rogers et al 2021) which was the first time that research has examined audience composition, understanding and preferences for the performing arts in Phnom Penh. This research raised a bigger question around who the arts are for and highlighted that young people did not always understand what they were watching. The project discussed here builds on this previous work, as it sought to further understand the composition of audiences attending Cambodian performance events, examine their reactions, and consider how using simple forms of technology may promote audience engagement and understanding. The research used Cambodian Living Arts’ (CLA) 2022 Cultural Season of performances, workshops, and talks as a case study through which to experiment with this and other methodologies. The Cultural Season (titled Action Today: Consequences Tomorrow) was held in Phnom Penh and then toured across Cambodia, also giving the research the unique opportunity to find out more about arts audiences in the provinces. The findings provide insights into the level of knowledge and understanding of the arts among different audiences across Cambodia, their preferences in terms of types of arts consumed, and the choices surrounding their participation and involvement in the arts. Consultancy Report Swansea arts, audiences, Cambodia, dance, performance, performing arts 24 11 2023 2023-11-24 10.23889/SUreport.65084 https://doi.org/10.23889/SUreport.65084 The text of Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season © 2023, The Authors, is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. https://creativecommons.org/licenses/by-nc/4.0/. All images are subject to separate copyright; all image rights reserved.ទស្សនិកជនខ្មែរចូលរួមក្នុងសិល្បៈសម្តែងរដូវកាលវប្បធម៌នៃ CLA ឆ្នាំ 2022របាយការណ៍គម្រោង។ ការរក្សាសិទ្ធិអនុវត្តចំពោះរបាយការណ៍នេះ។ COLLEGE NANME Geography COLLEGE CODE SGE Swansea University Not Required Changing the Story/GCRF-AHRC SIDA/Cambodian Living Arts. 2024-03-04T13:47:24.5526027 2023-11-24T09:28:37.6742707 Faculty of Science and Engineering School of Biosciences, Geography and Physics - Geography Amanda Rogers 0000-0002-0454-8183 1 Say Tola 2 Meth Monthary 3 Ven Seyhah 4 Larissa Nicholas 5 65084__29579__cbca33ebcd3b474fb8853d417244f92a.pdf CLA Report ENG.pdf 2024-02-26T11:11:17.6075637 Output 6054651 application/pdf Author's Original true The text of Cambodian Audience Engagement in the Performing Arts © 2023, The Authors, is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. https://creativecommons.org/licenses/by-nc/4.0/. All images are subject to separate copyright; all image rights reserved. true English https://creativecommons.org/licenses/by-nc/4.0/ 65084__29580__e158d2e8f35d42cab7ac9d86ac49f1fe.pdf CLA Report KH.pdf 2024-02-26T11:12:36.5862675 Output 6571921 application/pdf Author's Original true អត្ថបទនៃការចូលរួមទស្សនិកជនកម្ពុជាក្នុងវិស័យសិល្បៈ © 2023, The Authors ត្រូវបានផ្តល់អាជ្ញាប័ណ្ណក្រោមអាជ្ញាប័ណ្ណ Creative Commons Attribution-NonCommercial 4.0 International License ។ https://creativecommons.org/licenses/by-nc/4.0/ ។ រូបភាពទាំងអស់គឺជាកម្មវត្ថុនៃការរក្សាសិទ្ធិដាច់ដោយឡែក។ រក្សាសិទ្ធិរូបភាពទាំងអស់។ true Khmer https://creativecommons.org/licenses/by-nc/4.0/
title	Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season
spellingShingle	Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season Amanda Rogers Larissa Nicholas
title_short	Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season
title_full	Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season
title_fullStr	Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season
title_full_unstemmed	Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season
title_sort	Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season
author_id_str_mv	5ddde1ecc99923098fd92c797ee0020b 1f94486c34f5b8272a65b750a3c7f9f2
author_id_fullname_str_mv	5ddde1ecc99923098fd92c797ee0020b_*_Amanda Rogers 1f94486c34f5b8272a65b750a3c7f9f2_*_Larissa Nicholas
author	Amanda Rogers Larissa Nicholas
author2	Amanda Rogers Say Tola Meth Monthary Ven Seyhah Larissa Nicholas
format	Consultancy Report
publishDate	2023
institution	Swansea University
doi_str_mv	10.23889/SUreport.65084
college_str	Faculty of Science and Engineering
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hierarchy_top_title	Faculty of Science and Engineering
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hierarchy_parent_title	Faculty of Science and Engineering
department_str	School of Biosciences, Geography and Physics - Geography{{{_:::_}}}Faculty of Science and Engineering{{{_:::_}}}School of Biosciences, Geography and Physics - Geography
url	https://doi.org/10.23889/SUreport.65084
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description	Project ReportThere is growing research on arts audiences - particularly regarding theatre and dance (Sedgman 2019; Walmsley 2019; Reason et al 2022). However, much of this work remains centred on the ‘Global North’ and there is little published research on arts audiences in South East Asia in general, and Cambodia in particular. The exception to this is our previous report (Rogers et al 2021) which was the first time that research has examined audience composition, understanding and preferences for the performing arts in Phnom Penh. This research raised a bigger question around who the arts are for and highlighted that young people did not always understand what they were watching. The project discussed here builds on this previous work, as it sought to further understand the composition of audiences attending Cambodian performance events, examine their reactions, and consider how using simple forms of technology may promote audience engagement and understanding. The research used Cambodian Living Arts’ (CLA) 2022 Cultural Season of performances, workshops, and talks as a case study through which to experiment with this and other methodologies. The Cultural Season (titled Action Today: Consequences Tomorrow) was held in Phnom Penh and then toured across Cambodia, also giving the research the unique opportunity to find out more about arts audiences in the provinces. The findings provide insights into the level of knowledge and understanding of the arts among different audiences across Cambodia, their preferences in terms of types of arts consumed, and the choices surrounding their participation and involvement in the arts.
published_date	2023-11-24T13:47:21Z
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Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season

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