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‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’

Andrew Rothwell

The Modern Language Review, Volume: 110, Issue: 1, Pages: 121 - 148

Swansea University Author: Andrew Rothwell

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DOI (Published version): 10.5699/modelangrevi.110.1.0121

Abstract

Much of Bernard Noël's poetry develops out of phenomenological processes of reflection and inversion, figured metapoetically by the sablier image and its avatars. Among these is the (dark) mirror, which initiates the poet's investigation of selfhood and writing in the important poem sequen...

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Published in: The Modern Language Review
ISSN: 0026-7937
Published: Modern Humanities Research Association 2015
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URI: https://cronfa.swan.ac.uk/Record/cronfa19969
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last_indexed 2020-12-11T03:33:44Z
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spelling 2020-12-10T16:20:09.7769875 v2 19969 2015-01-11 ‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’ c82c0391d11a06e7acbdb6cdf0be0727 Andrew Rothwell Andrew Rothwell true false 2015-01-11 FGHSS Much of Bernard Noël's poetry develops out of phenomenological processes of reflection and inversion, figured metapoetically by the sablier image and its avatars. Among these is the (dark) mirror, which initiates the poet's investigation of selfhood and writing in the important poem sequence ‘L'Ombre du double’ of 1993. This study explores the complex variations which Noël weaves, here and elsewhere, on the key terms ombre and double, to construct the page as a ‘maison d'envers’—a mental space where past, present, and future merge, where self and other, poet and reader interact, and where the limits of poetic language are tested. Journal Article The Modern Language Review 110 1 121 148 Modern Humanities Research Association 0026-7937 phenomenology, sablier, hourglass, reflection, inversion, shadow, double 1 1 2015 2015-01-01 10.5699/modelangrevi.110.1.0121 ISBN: 978-1-781881-98-9 COLLEGE NANME Humanities and Social Sciences - Faculty COLLEGE CODE FGHSS Swansea University 2020-12-10T16:20:09.7769875 2015-01-11T11:38:32.8032827 Faculty of Humanities and Social Sciences School of Culture and Communication - Modern Languages, Translation, and Interpreting Andrew Rothwell 1 0019969-24052016224919.pdf 2015-Noël_'L'Ombre_du_double'.pdf 2016-05-24T22:49:19.8370000 Output 173665 application/pdf Version of Record true 2017-01-01T00:00:00.0000000 true
title ‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’
spellingShingle ‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’
Andrew Rothwell
title_short ‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’
title_full ‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’
title_fullStr ‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’
title_full_unstemmed ‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’
title_sort ‘Qui Es-Tu Sous La Ressemblance | Qui Va Là Sous Couvert De Moi’: the Hourglass of Poetic Identity in Bernard Noël's ‘L'ombre Du Double’
author_id_str_mv c82c0391d11a06e7acbdb6cdf0be0727
author_id_fullname_str_mv c82c0391d11a06e7acbdb6cdf0be0727_***_Andrew Rothwell
author Andrew Rothwell
author2 Andrew Rothwell
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container_title The Modern Language Review
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doi_str_mv 10.5699/modelangrevi.110.1.0121
publisher Modern Humanities Research Association
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hierarchy_top_title Faculty of Humanities and Social Sciences
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department_str School of Culture and Communication - Modern Languages, Translation, and Interpreting{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Modern Languages, Translation, and Interpreting
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description Much of Bernard Noël's poetry develops out of phenomenological processes of reflection and inversion, figured metapoetically by the sablier image and its avatars. Among these is the (dark) mirror, which initiates the poet's investigation of selfhood and writing in the important poem sequence ‘L'Ombre du double’ of 1993. This study explores the complex variations which Noël weaves, here and elsewhere, on the key terms ombre and double, to construct the page as a ‘maison d'envers’—a mental space where past, present, and future merge, where self and other, poet and reader interact, and where the limits of poetic language are tested.
published_date 2015-01-01T03:23:32Z
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score 11.037056

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