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D.H. Lawrence, 'Aaron's Rod', introduced and annotated by Steven Vine

Steven Vine

D.H. Lawrence, 'Aaron's Rod', edited by Mara Kalnins, with an introduction and notes by Steven Vine, Pages: 1 - 325

Swansea University Author: Steven Vine

Abstract

The ‘Introduction’ to this edition, ‘D.H. Lawrence’s Exodus’, explores 'Aaron’s Rod' as an image of the historical, sexual and psychical crises of post-First World War Europe as Lawrence saw them. For Lawrence, the entire edifice of post-War European society was in a state of crisis and co...

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Published in: D.H. Lawrence, 'Aaron's Rod', edited by Mara Kalnins, with an introduction and notes by Steven Vine
Published: Harmonsworth: Penguin Books 1995
URI: https://cronfa.swan.ac.uk/Record/cronfa17967
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first_indexed 2014-05-16T01:30:03Z
last_indexed 2018-04-30T19:00:23Z
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spelling 2018-04-30T16:58:27.5422482 v2 17967 2014-05-15 D.H. Lawrence, 'Aaron's Rod', introduced and annotated by Steven Vine 8adad05ceecbaab7f4b2be512149b4d7 Steven Vine Steven Vine true false 2014-05-15 FGHSS The ‘Introduction’ to this edition, ‘D.H. Lawrence’s Exodus’, explores 'Aaron’s Rod' as an image of the historical, sexual and psychical crises of post-First World War Europe as Lawrence saw them. For Lawrence, the entire edifice of post-War European society was in a state of crisis and collapse, and 'Aaron’ Rod' furiously interrogates and revises Europe’s history, traditions and values. It does so by affirming single selfhood in the face of social disintegration, and by charting the rebirth of individual being from the ruins of European culture. The narrative presents a resistant modernist quest and travelogue that seeks to find new modes of being in the wake of Europe’s post-War dissolution. Scholarly Edition D.H. Lawrence, 'Aaron's Rod', edited by Mara Kalnins, with an introduction and notes by Steven Vine 1 325 Harmonsworth: Penguin Books 30 8 1995 1995-08-30 ISBN 978-0140188141 COLLEGE NANME Humanities and Social Sciences - Faculty COLLEGE CODE FGHSS Swansea University 2018-04-30T16:58:27.5422482 2014-05-15T15:06:02.7407383 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Steven Vine 1
title D.H. Lawrence, 'Aaron's Rod', introduced and annotated by Steven Vine
spellingShingle D.H. Lawrence, 'Aaron's Rod', introduced and annotated by Steven Vine
Steven Vine
title_short D.H. Lawrence, 'Aaron's Rod', introduced and annotated by Steven Vine
title_full D.H. Lawrence, 'Aaron's Rod', introduced and annotated by Steven Vine
title_fullStr D.H. Lawrence, 'Aaron's Rod', introduced and annotated by Steven Vine
title_full_unstemmed D.H. Lawrence, 'Aaron's Rod', introduced and annotated by Steven Vine
title_sort D.H. Lawrence, 'Aaron's Rod', introduced and annotated by Steven Vine
author_id_str_mv 8adad05ceecbaab7f4b2be512149b4d7
author_id_fullname_str_mv 8adad05ceecbaab7f4b2be512149b4d7_***_Steven Vine
author Steven Vine
author2 Steven Vine
format Scholarly Edition
container_title D.H. Lawrence, 'Aaron's Rod', edited by Mara Kalnins, with an introduction and notes by Steven Vine
container_start_page 1
publishDate 1995
institution Swansea University
publisher Harmonsworth: Penguin Books
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
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description The ‘Introduction’ to this edition, ‘D.H. Lawrence’s Exodus’, explores 'Aaron’s Rod' as an image of the historical, sexual and psychical crises of post-First World War Europe as Lawrence saw them. For Lawrence, the entire edifice of post-War European society was in a state of crisis and collapse, and 'Aaron’ Rod' furiously interrogates and revises Europe’s history, traditions and values. It does so by affirming single selfhood in the face of social disintegration, and by charting the rebirth of individual being from the ruins of European culture. The narrative presents a resistant modernist quest and travelogue that seeks to find new modes of being in the wake of Europe’s post-War dissolution.
published_date 1995-08-30T03:20:56Z
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