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Loving Gardens, Loving the Gardener? ‘Solitude’ in Andrew Marvell’s ‘The Garden’

Laura Seymour Orcid Logo

Marvell Studies, Volume: 3, Issue: 2

Swansea University Author: Laura Seymour Orcid Logo

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DOI (Published version): 10.16995/ms.26

Abstract

In ‘The Garden’, Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell’s insistence that he prefers solitude to ‘society’, at the end of the poem his attention comes to rest approvingly on a human figure: the Gardener...

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Published in: Marvell Studies
ISSN: 2399-7435
Published: Open Library of the Humanities 2018
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URI: https://cronfa.swan.ac.uk/Record/cronfa70152
Abstract: In ‘The Garden’, Andrew Marvell devotes a lot of time to extolling the virtues of the solitude he experiences in the garden of the title. Despite Marvell’s insistence that he prefers solitude to ‘society’, at the end of the poem his attention comes to rest approvingly on a human figure: the Gardener. Reading ‘The Garden’ alongside ‘Damon the Mower’, this article suggests that Marvell’s sensually-charged engagement with the plants, trees, and fruits in ‘The Garden’ can be interpreted as a means of accessing and loving the Gardener himself. On one reading of ‘Damon the Mower’, the narrator caresses Damon through the landscape. Tracking similar themes in ‘The Garden’ suggests that something similar may be occurring in this poem, too.
Keywords: Andrew Marvell, poetry, sexuality, pastoral, solitude
College: Faculty of Humanities and Social Sciences
Issue: 2