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Sharded War: seeing, not sharing

William Merrin Orcid Logo, Andrew Hoskins

Digital War, Volume: 5, Issue: 1-2, Pages: 115 - 118

Swansea University Author: William Merrin Orcid Logo

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DOI (Published version): 10.1057/s42984-023-00086-5

Abstract

The digital maelstrom of images, videos, messages, comments, uploaded via smartphones to Telegram and TikTok and globally remediated, place war today increasingly in plain sight. But visibility is no sign of recognition. Rather, social media shape sharded war, namely that which users experience thro...

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Published in: Digital War
ISSN: 2662-1975 2662-1983
Published: Springer Science and Business Media LLC 2024
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URI: https://cronfa.swan.ac.uk/Record/cronfa69002
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spelling 2025-03-11T13:30:24.5867189 v2 69002 2025-02-28 Sharded War: seeing, not sharing 2426af4e20a955e5b25da3ae3d881121 0000-0003-4811-1204 William Merrin William Merrin true false 2025-02-28 CACS The digital maelstrom of images, videos, messages, comments, uploaded via smartphones to Telegram and TikTok and globally remediated, place war today increasingly in plain sight. But visibility is no sign of recognition. Rather, social media shape sharded war, namely that which users experience through split, splintered, fractured, personalised, streamed and shattered feeds. Algorithmically, but also personally fed digital realities, make war as an always-on informational battle against everyone with a different opinion. In this way, using content-driven regulation, moderation and fact checking, to blunt the billions of shards of the horror of wars unfolding in Ukraine, Gaza and Israel, misses the target. Sharded war is ultimately unverified and uninspectable, in its paradoxical mix of personalised form and global scale, but also in exploiting the weakest link in the hierarchy of attention of regulators. Social media increasingly platform violence, threatening claims, narratives and realities, readily seen and experienced, but not shared. Journal Article Digital War 5 1-2 115 118 Springer Science and Business Media LLC 2662-1975 2662-1983 Sharding; TikTok; Telegram; Splintered realities; Participation; Personalisation; Moderation; Regulation; Cell-shock; EU Digital Services Act 1 1 2024 2024-01-01 10.1057/s42984-023-00086-5 COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University Another institution paid the OA fee 2025-03-11T13:30:24.5867189 2025-02-28T21:11:45.3114565 College of Arts and Humanities Media and Communication Studies William Merrin 0000-0003-4811-1204 1 Andrew Hoskins 2 69002__33779__71b695f2a4784019841afe3133fe51be.pdf 69002.VoR.pdf 2025-03-11T13:28:30.0761234 Output 409116 application/pdf Version of Record true © The Author(s) 2023. This article is licensed under a Creative Commons Attribution 4.0 International License. true eng http://creativecommons.org/licenses/by/4.0/
title Sharded War: seeing, not sharing
spellingShingle Sharded War: seeing, not sharing
William Merrin
title_short Sharded War: seeing, not sharing
title_full Sharded War: seeing, not sharing
title_fullStr Sharded War: seeing, not sharing
title_full_unstemmed Sharded War: seeing, not sharing
title_sort Sharded War: seeing, not sharing
author_id_str_mv 2426af4e20a955e5b25da3ae3d881121
author_id_fullname_str_mv 2426af4e20a955e5b25da3ae3d881121_***_William Merrin
author William Merrin
author2 William Merrin
Andrew Hoskins
format Journal article
container_title Digital War
container_volume 5
container_issue 1-2
container_start_page 115
publishDate 2024
institution Swansea University
issn 2662-1975
2662-1983
doi_str_mv 10.1057/s42984-023-00086-5
publisher Springer Science and Business Media LLC
college_str College of Arts and Humanities
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hierarchy_top_id collegeofartsandhumanities
hierarchy_top_title College of Arts and Humanities
hierarchy_parent_id collegeofartsandhumanities
hierarchy_parent_title College of Arts and Humanities
department_str Media and Communication Studies{{{_:::_}}}College of Arts and Humanities{{{_:::_}}}Media and Communication Studies
document_store_str 1
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description The digital maelstrom of images, videos, messages, comments, uploaded via smartphones to Telegram and TikTok and globally remediated, place war today increasingly in plain sight. But visibility is no sign of recognition. Rather, social media shape sharded war, namely that which users experience through split, splintered, fractured, personalised, streamed and shattered feeds. Algorithmically, but also personally fed digital realities, make war as an always-on informational battle against everyone with a different opinion. In this way, using content-driven regulation, moderation and fact checking, to blunt the billions of shards of the horror of wars unfolding in Ukraine, Gaza and Israel, misses the target. Sharded war is ultimately unverified and uninspectable, in its paradoxical mix of personalised form and global scale, but also in exploiting the weakest link in the hierarchy of attention of regulators. Social media increasingly platform violence, threatening claims, narratives and realities, readily seen and experienced, but not shared.
published_date 2024-01-01T08:22:12Z
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score 11.0605345

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