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Central Europe
Europe in British Literature and Culture, Pages: 53 - 69
Swansea University Authors: Richard Robinson , Julian Preece
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DOI (Published version): 10.1017/9781009425483.006
Abstract
This chapter answers the question ’does central Europe exist?’ by first drawing a literary-historical line between Franz Kafka and Milan Kundera, focusing particularly on the critical tensions in Kundera’s construction of a vanished culture and on the West’s mythologizing of central Europe. It then...
Published in: | Europe in British Literature and Culture |
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ISBN: | 9781009425490 9781009425483 |
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Cambridge
Cambridge University Press
2024
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URI: | https://cronfa.swan.ac.uk/Record/cronfa67858 |
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v2 67858 2024-09-30 Central Europe dd0360f678f81621c96a94dae0e1c2b3 0000-0003-2097-1931 Richard Robinson Richard Robinson true false 6cf10f340b4335c30856d022675b34b2 0000-0002-8887-740X Julian Preece Julian Preece true false 2024-09-30 CACS This chapter answers the question ’does central Europe exist?’ by first drawing a literary-historical line between Franz Kafka and Milan Kundera, focusing particularly on the critical tensions in Kundera’s construction of a vanished culture and on the West’s mythologizing of central Europe. It then turns to two Prague-set novels, Bruce Chatwin’s Utz, which explores the condition of stubborn aesthetic individualism under communism, and Tom McCarthy’s Men in Space, set in the months following the splitting-up of Czechoslovakia in 1992. Beyond the Czech lands, the Austrian Ingeborg Bachmann’s Malina, a significant work of avant-garde feminism, offers a doomed fantasy of post-war Austro-Hungarian relationships. Olga Tokarczuk’s Drive Your Plow over the Bones of the Dead, set in the Polish–Silesian borderlands, is a revenge thriller whose narrator is inspired by the radicalism of William Blake. These case studies signal the ways central Europe has been confabulated by British writers; they also show how an evolving canon of fiction-in-translation is appropriately pluralizing and updating the West’s idea of the ‘middle’. Book chapter Europe in British Literature and Culture 53 69 Cambridge University Press Cambridge 9781009425490 9781009425483 Central Europe; Austro-Hungarian Empire; Franz Kafka; Milan Kundera; Ingeborg Bachmann; Olga Tokarczuk; Bruce Chatwin; Tom McCarthy; communism; feminism 13 6 2024 2024-06-13 10.1017/9781009425483.006 COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University Not Required 2024-10-31T10:18:30.5221893 2024-09-30T12:31:03.7993822 Faculty of Humanities and Social Sciences School of Culture and Communication - Modern Languages, Translation, and Interpreting Richard Robinson 0000-0003-2097-1931 1 Julian Preece 0000-0002-8887-740X 2 |
title |
Central Europe |
spellingShingle |
Central Europe Richard Robinson Julian Preece |
title_short |
Central Europe |
title_full |
Central Europe |
title_fullStr |
Central Europe |
title_full_unstemmed |
Central Europe |
title_sort |
Central Europe |
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dd0360f678f81621c96a94dae0e1c2b3_***_Richard Robinson 6cf10f340b4335c30856d022675b34b2_***_Julian Preece |
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Richard Robinson Julian Preece |
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Richard Robinson Julian Preece |
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Europe in British Literature and Culture |
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53 |
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2024 |
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Swansea University |
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9781009425490 9781009425483 |
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10.1017/9781009425483.006 |
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Cambridge University Press |
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This chapter answers the question ’does central Europe exist?’ by first drawing a literary-historical line between Franz Kafka and Milan Kundera, focusing particularly on the critical tensions in Kundera’s construction of a vanished culture and on the West’s mythologizing of central Europe. It then turns to two Prague-set novels, Bruce Chatwin’s Utz, which explores the condition of stubborn aesthetic individualism under communism, and Tom McCarthy’s Men in Space, set in the months following the splitting-up of Czechoslovakia in 1992. Beyond the Czech lands, the Austrian Ingeborg Bachmann’s Malina, a significant work of avant-garde feminism, offers a doomed fantasy of post-war Austro-Hungarian relationships. Olga Tokarczuk’s Drive Your Plow over the Bones of the Dead, set in the Polish–Silesian borderlands, is a revenge thriller whose narrator is inspired by the radicalism of William Blake. These case studies signal the ways central Europe has been confabulated by British writers; they also show how an evolving canon of fiction-in-translation is appropriately pluralizing and updating the West’s idea of the ‘middle’. |
published_date |
2024-06-13T10:18:29Z |
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1814424358142083072 |
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11.037056 |