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Enterprise and Caring in Community Arts Work: A Discourse Analysis / Rey Shakirzhanov

Swansea University Author: Rey Shakirzhanov

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DOI (Published version): 10.23889/SUthesis.67701

Abstract

This thesis presents a discursive analysis of enterprising work of community arts: a domain of cultural work often portrayed as bringing important value to local communities (Matarasso, 2019; Jeffers, 2017a, 2017b; Moriarty, 2017; Matarasso, 2013; Kelly, 1984; Goldbard, 1993), yet lacking any signif...

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Published: Swansea, Wales, UK 2024
Institution: Swansea University
Degree level: Doctoral
Degree name: Ph.D
Supervisor: White, Paul J. ; Finniear, Jocelyn
URI: https://cronfa.swan.ac.uk/Record/cronfa67701
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spelling v2 67701 2024-09-17 Enterprise and Caring in Community Arts Work: A Discourse Analysis 5b68381cfca7574916fd3341a878623d 0009-0005-9706-9163 Rey Shakirzhanov Rey Shakirzhanov true false 2024-09-17 CBAE This thesis presents a discursive analysis of enterprising work of community arts: a domain of cultural work often portrayed as bringing important value to local communities (Matarasso, 2019; Jeffers, 2017a, 2017b; Moriarty, 2017; Matarasso, 2013; Kelly, 1984; Goldbard, 1993), yet lacking any significant academic research into this form of work and employment. Aiming to fill the existing knowledge gap on entrepreneurial work of community arts, this study draws on Foucauldian Discourse Analysis approach and an ethnographic outlook on research methodology. It explores how the discourse of ‘enterprise’ (Foucault, 2008; Du Gay, 1994a, 1994b, 1996, 2004; Du Gay & Salaman, 1992; Rose, 1992; Keat, 1991b; Gordon, 1991) pervades the work of community arts in Wales and whether an enterprising subjectivity is reproduced in this domain of work. The data for this study was collected in Wales from June 2021 to November 2022 principally by drawing on interviews supplemented through participant diaries, field observations, and participant-generated documents. The analysis of collected data highlights the proliferation of neoliberal enterprise in areas of cultural work not traditionally associated with commercial activity (Beirne et al., 2017), detailing the shape and form of entrepreneurial subject positions of workers primarily involved in prosocial activities within local community. Furthermore, this study sheds light on complex manifestations of enterprise reproduced within the context of collaborative, caring, and precarious work, which challenges paradigmatic portrayals of enterprising work (Du Gay, 1996) and highlights the role of non-economic discourses in the constitution of workers’ subjectivity (Fournier & Grey, 1999). A key finding of this study is the proliferation of the discourse of ‘caring about’ that acts both to operationalise the discourse of enterprise, as well as being a point of resistance for workers against identifying as entrepreneurial, self-interested, money-oriented, individualised subjects. E-Thesis Swansea, Wales, UK Foucault, governmentality, power, neoliberalism, subjectivity, subject positions,discourse, Paul Du Gay, enterprise, discourse of enterprise, enterprise culture, theentrepreneur of the self, sovereign consumer, competition, competitiveness, autonomy,3flexibility, adaptability, homo economicus, calculations, entrepreneur, individualisation,self-interest, profit, money, self-fulfilment, self-realisation, resistance, cultural work,creative work, creative industries, precarious work, precarity, insecurity, uncertainty,community arts, participatory arts, inclusive arts, socially-engaged arts, community artsmovement, co-production, participation, community, cultural democracy, the discourseof caring about, care, caring, ethics of care, collaborative discourse, collaboration,prosocial, compassion, FDA, Foucauldian discourse analysis, ethnography, ontopolitical,reflexivity, reflexive, interviews, observations, participant diaries, reflexivejournal, the caring entrepreneur of the self, ambivalence 6 9 2024 2024-09-06 10.23889/SUthesis.67701 ORCiD identifier: https://orcid.org/0009-0005-9706-9163 COLLEGE NANME Management School COLLEGE CODE CBAE Swansea University White, Paul J. ; Finniear, Jocelyn Doctoral Ph.D School of Management Graduate Teaching Assistantship School of Management Graduate Teaching Assistantship 2024-10-01T15:56:59.0445258 2024-09-17T10:52:37.7896669 Faculty of Humanities and Social Sciences School of Management - Business Management Rey Shakirzhanov 0009-0005-9706-9163 1 67701__31345__3cd3352da06d4195906f78d5cf38b247.pdf Shakirzhanov_Refat_PhD_Thesis_Final_Cronfa.pdf 2024-09-17T11:16:20.1487583 Output 6744201 application/pdf E-Thesis – open access true Copyright: The Author, Refat Shakirzhanov, 2024. Licensed under the terms of a Creative Commons Attribution-Non-Commercial License. Third party content is excluded for use under the license terms. true eng https://creativecommons.org/licenses/by-nc/4.0/deed.en
title Enterprise and Caring in Community Arts Work: A Discourse Analysis
spellingShingle Enterprise and Caring in Community Arts Work: A Discourse Analysis
Rey Shakirzhanov
title_short Enterprise and Caring in Community Arts Work: A Discourse Analysis
title_full Enterprise and Caring in Community Arts Work: A Discourse Analysis
title_fullStr Enterprise and Caring in Community Arts Work: A Discourse Analysis
title_full_unstemmed Enterprise and Caring in Community Arts Work: A Discourse Analysis
title_sort Enterprise and Caring in Community Arts Work: A Discourse Analysis
author_id_str_mv 5b68381cfca7574916fd3341a878623d
author_id_fullname_str_mv 5b68381cfca7574916fd3341a878623d_***_Rey Shakirzhanov
author Rey Shakirzhanov
author2 Rey Shakirzhanov
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description This thesis presents a discursive analysis of enterprising work of community arts: a domain of cultural work often portrayed as bringing important value to local communities (Matarasso, 2019; Jeffers, 2017a, 2017b; Moriarty, 2017; Matarasso, 2013; Kelly, 1984; Goldbard, 1993), yet lacking any significant academic research into this form of work and employment. Aiming to fill the existing knowledge gap on entrepreneurial work of community arts, this study draws on Foucauldian Discourse Analysis approach and an ethnographic outlook on research methodology. It explores how the discourse of ‘enterprise’ (Foucault, 2008; Du Gay, 1994a, 1994b, 1996, 2004; Du Gay & Salaman, 1992; Rose, 1992; Keat, 1991b; Gordon, 1991) pervades the work of community arts in Wales and whether an enterprising subjectivity is reproduced in this domain of work. The data for this study was collected in Wales from June 2021 to November 2022 principally by drawing on interviews supplemented through participant diaries, field observations, and participant-generated documents. The analysis of collected data highlights the proliferation of neoliberal enterprise in areas of cultural work not traditionally associated with commercial activity (Beirne et al., 2017), detailing the shape and form of entrepreneurial subject positions of workers primarily involved in prosocial activities within local community. Furthermore, this study sheds light on complex manifestations of enterprise reproduced within the context of collaborative, caring, and precarious work, which challenges paradigmatic portrayals of enterprising work (Du Gay, 1996) and highlights the role of non-economic discourses in the constitution of workers’ subjectivity (Fournier & Grey, 1999). A key finding of this study is the proliferation of the discourse of ‘caring about’ that acts both to operationalise the discourse of enterprise, as well as being a point of resistance for workers against identifying as entrepreneurial, self-interested, money-oriented, individualised subjects.
published_date 2024-09-06T15:56:57Z
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