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Insularity, translation, and genre: the case of two Caribbean writers, Hazel Robinson and Edwidge Danticat / LAURA MARTINEZ

Swansea University Author: LAURA MARTINEZ

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DOI (Published version): 10.23889/SUthesis.67440

Abstract

The Caribbean is the meeting point of many cultures (European, African, American) and has been through a complex historical process, marked by the consequences of the colonization process. Natural disasters, like hurricanes and earthquakes, political instability and exploitative practices also have...

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Published: Swansea, Wales, UK 2024
Institution: Swansea University
Degree level: Doctoral
Degree name: Ph.D
Supervisor: Lublin, Geraldine ; Lopez-Terra, Fede
URI: https://cronfa.swan.ac.uk/Record/cronfa67440
first_indexed 2024-08-19T16:57:27Z
last_indexed 2024-11-25T14:20:11Z
id cronfa67440
recordtype RisThesis
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spelling 2024-08-19T18:09:14.4544066 v2 67440 2024-08-19 Insularity, translation, and genre: the case of two Caribbean writers, Hazel Robinson and Edwidge Danticat 139a6bf3dca76d9a329c116c635a4ec1 LAURA MARTINEZ LAURA MARTINEZ true false 2024-08-19 The Caribbean is the meeting point of many cultures (European, African, American) and has been through a complex historical process, marked by the consequences of the colonization process. Natural disasters, like hurricanes and earthquakes, political instability and exploitative practices also have deeply affected the region. These events give the literature and culture of this area unique characteristics and complexity. In my thesis, I study two Caribbean authors whose works show the complexity of this region from a cross-cultural and crosslinguistic perspective. The first writer is Hazel Robinson, born in 1935 in San Andrés, Colombia. The archipelago of San Andrés and Providencia had a historical process different from the rest of the country, which led to an oftentimes tense relationship with the Colombian government, oscillating between indifference and efforts to assimilate the islands. In her novels and articles Robinson portrays the history of San Andrés and Providencia, promoting and defending their literature, language, and culture. The other writer studied in this thesis is Edwidge Danticat (Port-au-Prince, 1969). Although Danticat has lived in the United States since she was twelve, Haiti remains the main setting in her texts. In her narrative she often explores the country’s traumatic history and her own complicated relationship with it as a diasporic writer. My study focuses on three of her works: one novel, one collection of short stories, and an essay, which gives my research a broader perspective of some of the themes present in her narrative. In conclusion, I study the works of these two Caribbean authors in the framework of a comparative study based on ecocriticism and gender studies. My objective is to see how these authors are challenging the notions of nationality and identity and creating a new way to read the history of their countries and of the Caribbean, from the perspective of women protagonists, traditionally marginalized in their countries’ historiography. E-Thesis Swansea, Wales, UK 13 8 2024 2024-08-13 10.23889/SUthesis.67440 COLLEGE NANME COLLEGE CODE Swansea University Lublin, Geraldine ; Lopez-Terra, Fede Doctoral Ph.D 2024-08-19T18:09:14.4544066 2024-08-19T17:54:10.7858143 Faculty of Humanities and Social Sciences School of Culture and Communication - Modern Languages, Translation, and Interpreting LAURA MARTINEZ 1 67440__31143__f4a1979c1e9b4488b97065004d43e663.pdf Lopez_Martinez_Laura_PhD_Thesis_Final_Cronfa.pdf 2024-08-19T18:05:06.3558830 Output 1249498 application/pdf E-Thesis – open access true Copyright: The Author, Laura López Martinez, 2024. true eng
title Insularity, translation, and genre: the case of two Caribbean writers, Hazel Robinson and Edwidge Danticat
spellingShingle Insularity, translation, and genre: the case of two Caribbean writers, Hazel Robinson and Edwidge Danticat
LAURA MARTINEZ
title_short Insularity, translation, and genre: the case of two Caribbean writers, Hazel Robinson and Edwidge Danticat
title_full Insularity, translation, and genre: the case of two Caribbean writers, Hazel Robinson and Edwidge Danticat
title_fullStr Insularity, translation, and genre: the case of two Caribbean writers, Hazel Robinson and Edwidge Danticat
title_full_unstemmed Insularity, translation, and genre: the case of two Caribbean writers, Hazel Robinson and Edwidge Danticat
title_sort Insularity, translation, and genre: the case of two Caribbean writers, Hazel Robinson and Edwidge Danticat
author_id_str_mv 139a6bf3dca76d9a329c116c635a4ec1
author_id_fullname_str_mv 139a6bf3dca76d9a329c116c635a4ec1_***_LAURA MARTINEZ
author LAURA MARTINEZ
author2 LAURA MARTINEZ
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department_str School of Culture and Communication - Modern Languages, Translation, and Interpreting{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Modern Languages, Translation, and Interpreting
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description The Caribbean is the meeting point of many cultures (European, African, American) and has been through a complex historical process, marked by the consequences of the colonization process. Natural disasters, like hurricanes and earthquakes, political instability and exploitative practices also have deeply affected the region. These events give the literature and culture of this area unique characteristics and complexity. In my thesis, I study two Caribbean authors whose works show the complexity of this region from a cross-cultural and crosslinguistic perspective. The first writer is Hazel Robinson, born in 1935 in San Andrés, Colombia. The archipelago of San Andrés and Providencia had a historical process different from the rest of the country, which led to an oftentimes tense relationship with the Colombian government, oscillating between indifference and efforts to assimilate the islands. In her novels and articles Robinson portrays the history of San Andrés and Providencia, promoting and defending their literature, language, and culture. The other writer studied in this thesis is Edwidge Danticat (Port-au-Prince, 1969). Although Danticat has lived in the United States since she was twelve, Haiti remains the main setting in her texts. In her narrative she often explores the country’s traumatic history and her own complicated relationship with it as a diasporic writer. My study focuses on three of her works: one novel, one collection of short stories, and an essay, which gives my research a broader perspective of some of the themes present in her narrative. In conclusion, I study the works of these two Caribbean authors in the framework of a comparative study based on ecocriticism and gender studies. My objective is to see how these authors are challenging the notions of nationality and identity and creating a new way to read the history of their countries and of the Caribbean, from the perspective of women protagonists, traditionally marginalized in their countries’ historiography.
published_date 2024-08-13T05:18:40Z
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