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Art as industrial heritage: deindustrialisation and public sculpture in Britain’s steel-making regions, 1976–2020

Louise Miskell Orcid Logo, Hilary Orange Orcid Logo, Gemma Almond-Brown

Social History, Volume: 49, Issue: 4, Pages: 510 - 542

Swansea University Authors: Louise Miskell Orcid Logo, Hilary Orange Orcid Logo

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Abstract

This study analyses the emergence of steel industry-related public sculpture in Britain in the late twentieth and early twenty-first centuries. The creation of these sculptures is viewed as part of the response of local authorities, artists and community groups to the large-scale loss of steel-makin...

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Published in: Social History
ISSN: 0307-1022 1470-1200
Published: Informa UK Limited 2024
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URI: https://cronfa.swan.ac.uk/Record/cronfa66226
first_indexed 2024-05-10T18:49:51Z
last_indexed 2024-12-06T19:42:44Z
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spelling 2024-12-06T14:30:49.9091846 v2 66226 2024-04-30 Art as industrial heritage: deindustrialisation and public sculpture in Britain’s steel-making regions, 1976–2020 313f3082464f8f26d6a45b20e35923bd 0000-0003-1279-1199 Louise Miskell Louise Miskell true false 2deb722e156f371a4a69d75de00ae510 0000-0001-8199-9650 Hilary Orange Hilary Orange true false 2024-04-30 CACS This study analyses the emergence of steel industry-related public sculpture in Britain in the late twentieth and early twenty-first centuries. The creation of these sculptures is viewed as part of the response of local authorities, artists and community groups to the large-scale loss of steel-making jobs and infrastructure in Britain since the mid-1970s. It posits that the rapid demolition of redundant steelworks plants after closure erased many of the physical reference points to steelmaking in its traditional heartlands, creating a material void which public sculpture has helped to fill. While belief in the ability of public art to stimulate urban regeneration lay behind the commissioning of many of these sculptures, especially from the 1990s onwards, we argue that they make more sense when viewed as a form of industrial heritage. Sometimes depicting the skills, clothing or iconic structures associated with steel, sculptures provided visual references to the industry, often in places where it no longer existed, thus becoming important sites of steel industry memory in Britain. Journal Article Social History 49 4 510 542 Informa UK Limited 0307-1022 1470-1200 steel, sculpture, deindustrialisation, urban regeneration, industrial heritage 1 10 2024 2024-10-01 10.1080/03071022.2024.2389627 https://doi.org/10.1080/03071022.2024.2389627 COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University SU Library paid the OA fee (TA Institutional Deal) AHRC 0000-0003-1279-1199 2024-12-06T14:30:49.9091846 2024-04-30T17:29:50.3555524 Faculty of Humanities and Social Sciences School of Culture and Communication - History Louise Miskell 0000-0003-1279-1199 1 Hilary Orange 0000-0001-8199-9650 2 Gemma Almond-Brown 3
title Art as industrial heritage: deindustrialisation and public sculpture in Britain’s steel-making regions, 1976–2020
spellingShingle Art as industrial heritage: deindustrialisation and public sculpture in Britain’s steel-making regions, 1976–2020
Louise Miskell
Hilary Orange
title_short Art as industrial heritage: deindustrialisation and public sculpture in Britain’s steel-making regions, 1976–2020
title_full Art as industrial heritage: deindustrialisation and public sculpture in Britain’s steel-making regions, 1976–2020
title_fullStr Art as industrial heritage: deindustrialisation and public sculpture in Britain’s steel-making regions, 1976–2020
title_full_unstemmed Art as industrial heritage: deindustrialisation and public sculpture in Britain’s steel-making regions, 1976–2020
title_sort Art as industrial heritage: deindustrialisation and public sculpture in Britain’s steel-making regions, 1976–2020
author_id_str_mv 313f3082464f8f26d6a45b20e35923bd
2deb722e156f371a4a69d75de00ae510
author_id_fullname_str_mv 313f3082464f8f26d6a45b20e35923bd_***_Louise Miskell
2deb722e156f371a4a69d75de00ae510_***_Hilary Orange
author Louise Miskell
Hilary Orange
author2 Louise Miskell
Hilary Orange
Gemma Almond-Brown
format Journal article
container_title Social History
container_volume 49
container_issue 4
container_start_page 510
publishDate 2024
institution Swansea University
issn 0307-1022
1470-1200
doi_str_mv 10.1080/03071022.2024.2389627
publisher Informa UK Limited
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - History{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - History
url https://doi.org/10.1080/03071022.2024.2389627
document_store_str 0
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description This study analyses the emergence of steel industry-related public sculpture in Britain in the late twentieth and early twenty-first centuries. The creation of these sculptures is viewed as part of the response of local authorities, artists and community groups to the large-scale loss of steel-making jobs and infrastructure in Britain since the mid-1970s. It posits that the rapid demolition of redundant steelworks plants after closure erased many of the physical reference points to steelmaking in its traditional heartlands, creating a material void which public sculpture has helped to fill. While belief in the ability of public art to stimulate urban regeneration lay behind the commissioning of many of these sculptures, especially from the 1990s onwards, we argue that they make more sense when viewed as a form of industrial heritage. Sometimes depicting the skills, clothing or iconic structures associated with steel, sculptures provided visual references to the industry, often in places where it no longer existed, thus becoming important sites of steel industry memory in Britain.
published_date 2024-10-01T08:24:16Z
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