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Making the invisible, visible: older lesbian, gay and bisexual victim-survivors’ “lived experiences” of domestic abuse

Sarah Wydall Orcid Logo, Rebecca Zerk, Elize Freeman

The Journal of Adult Protection, Volume: 25, Issue: 3, Pages: 167 - 185

Swansea University Author: Sarah Wydall Orcid Logo

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DOI (Published version): 10.1108/jap-10-2022-0020

Abstract

PurposeThis paper aims to examine the use of coproduction to create a film “Do You See Me?”, to amplify the voices of a “hard to reach” group: older lesbian, gay, bisexual (LGB) victim-survivors of domestic abuse (DA).Design/methodology/approachQualitative methods were used as part of the co-product...

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Published in: The Journal of Adult Protection
ISSN: 1466-8203 1466-8203
Published: Emerald 2023
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URI: https://cronfa.swan.ac.uk/Record/cronfa66170
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spelling v2 66170 2024-04-25 Making the invisible, visible: older lesbian, gay and bisexual victim-survivors’ “lived experiences” of domestic abuse 06ccdee68a7a73ae99b9946785f92cad 0009-0004-9611-6530 Sarah Wydall Sarah Wydall true false 2024-04-25 SOSS PurposeThis paper aims to examine the use of coproduction to create a film “Do You See Me?”, to amplify the voices of a “hard to reach” group: older lesbian, gay, bisexual (LGB) victim-survivors of domestic abuse (DA).Design/methodology/approachQualitative methods were used as part of the co-production, which included two practitioner focus groups and 14 narrative interviews with lesbian, gay, bisexual, transgender, queer or questioning persons or the community (LGBTQ+) victim-survivors.FindingsDespite differences in gender, sexualities, roles and “lived experiences” across stakeholders, there was a shared aim to ensure victim-survivors had a sense of ownership in this endeavour. Consequently, a positive reciprocity existed that helped to foster effective communication, allow for capacity building and subsequent knowledge exchange. The collaboration produced a nuanced meta-narrative making visible the “lived experiences” of LGB victim-survivors’ perceptions of perpetrator behaviours.Originality/valueTo the best of the authors’ knowledge, this paper is original in two ways, firstly, providing insights into the “lived experiences” of an invisible group; older LGBTQ+ victim-survivors, and secondly, in involving them in the co-production of a film. The paper aims to reveal how interdependencies that developed between stakeholders helped to disrupt understandings, develop new ways of knowing and build levels of trust. Group interactions helped to dismantle hierarchies, so those with experiential knowledge: the survivors, had greater control throughout the research process. The paper is significant in providing a critical reflection on the ethical, methodological and resource challenges involved in co-production. It also makes recommendations for researchers and funders about the value of using co-production as a method to engage with hard-to-reach groups. Journal Article The Journal of Adult Protection 25 3 167 185 Emerald 1466-8203 1466-8203 LGBTQþ, Heteronormative, Co-production, Domestic abuse, Choice, Inclusion, Age, ‘‘Lived experiences’’ 18 7 2023 2023-07-18 10.1108/jap-10-2022-0020 COLLEGE NANME Social Sciences School COLLEGE CODE SOSS Swansea University Another institution paid the OA fee This study is funded by the National Lottery Community Fund. 2024-05-13T16:09:52.0557377 2024-04-25T13:54:56.1926485 Faculty of Humanities and Social Sciences School of Social Sciences - Criminology, Sociology and Social Policy Sarah Wydall 0009-0004-9611-6530 1 Rebecca Zerk 2 Elize Freeman 3 66170__30338__59040d1bff274a5b92cdc4709204f4a5.pdf 66170.VoR.pdf 2024-05-13T16:07:48.6584664 Output 185464 application/pdf Version of Record true © Sarah Wydall, Rebecca Zerk and Elize Freeman. This article is published under the Creative Commons Attribution (CC BY 4.0) licence. true eng http:// creativecommons.org/licences/ by/4.0/legalcode
title Making the invisible, visible: older lesbian, gay and bisexual victim-survivors’ “lived experiences” of domestic abuse
spellingShingle Making the invisible, visible: older lesbian, gay and bisexual victim-survivors’ “lived experiences” of domestic abuse
Sarah Wydall
title_short Making the invisible, visible: older lesbian, gay and bisexual victim-survivors’ “lived experiences” of domestic abuse
title_full Making the invisible, visible: older lesbian, gay and bisexual victim-survivors’ “lived experiences” of domestic abuse
title_fullStr Making the invisible, visible: older lesbian, gay and bisexual victim-survivors’ “lived experiences” of domestic abuse
title_full_unstemmed Making the invisible, visible: older lesbian, gay and bisexual victim-survivors’ “lived experiences” of domestic abuse
title_sort Making the invisible, visible: older lesbian, gay and bisexual victim-survivors’ “lived experiences” of domestic abuse
author_id_str_mv 06ccdee68a7a73ae99b9946785f92cad
author_id_fullname_str_mv 06ccdee68a7a73ae99b9946785f92cad_***_Sarah Wydall
author Sarah Wydall
author2 Sarah Wydall
Rebecca Zerk
Elize Freeman
format Journal article
container_title The Journal of Adult Protection
container_volume 25
container_issue 3
container_start_page 167
publishDate 2023
institution Swansea University
issn 1466-8203
1466-8203
doi_str_mv 10.1108/jap-10-2022-0020
publisher Emerald
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Social Sciences - Criminology, Sociology and Social Policy{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Social Sciences - Criminology, Sociology and Social Policy
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description PurposeThis paper aims to examine the use of coproduction to create a film “Do You See Me?”, to amplify the voices of a “hard to reach” group: older lesbian, gay, bisexual (LGB) victim-survivors of domestic abuse (DA).Design/methodology/approachQualitative methods were used as part of the co-production, which included two practitioner focus groups and 14 narrative interviews with lesbian, gay, bisexual, transgender, queer or questioning persons or the community (LGBTQ+) victim-survivors.FindingsDespite differences in gender, sexualities, roles and “lived experiences” across stakeholders, there was a shared aim to ensure victim-survivors had a sense of ownership in this endeavour. Consequently, a positive reciprocity existed that helped to foster effective communication, allow for capacity building and subsequent knowledge exchange. The collaboration produced a nuanced meta-narrative making visible the “lived experiences” of LGB victim-survivors’ perceptions of perpetrator behaviours.Originality/valueTo the best of the authors’ knowledge, this paper is original in two ways, firstly, providing insights into the “lived experiences” of an invisible group; older LGBTQ+ victim-survivors, and secondly, in involving them in the co-production of a film. The paper aims to reveal how interdependencies that developed between stakeholders helped to disrupt understandings, develop new ways of knowing and build levels of trust. Group interactions helped to dismantle hierarchies, so those with experiential knowledge: the survivors, had greater control throughout the research process. The paper is significant in providing a critical reflection on the ethical, methodological and resource challenges involved in co-production. It also makes recommendations for researchers and funders about the value of using co-production as a method to engage with hard-to-reach groups.
published_date 2023-07-18T16:09:50Z
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