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The inclusion of non-Western artistic traditions in cultural policy: Contrasting social justice and public diplomacy approaches

Pier-Luc Dupont Picard Orcid Logo

Crossings: Journal of Migration and Culture, Volume: 8, Issue: 1, Pages: 49 - 65

Swansea University Author: Pier-Luc Dupont Picard Orcid Logo

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DOI (Published version): 10.1386/cjmc.8.1.49_1

Abstract

On both sides of the Atlantic, the dissemination of non-Western artistic traditions among the general public has been hampered by the prevalence of Eurocentric aesthetic standards in cultural institutions and organizations. In recent years, however, some states have taken steps in order to increase...

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Published in: Crossings: Journal of Migration and Culture
ISSN: 2040-4344 2040-4352
Published: Intellect 2017
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URI: https://cronfa.swan.ac.uk/Record/cronfa64743
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first_indexed 2023-10-13T13:20:42Z
last_indexed 2023-10-13T13:20:42Z
id cronfa64743
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spelling v2 64743 2023-10-13 The inclusion of non-Western artistic traditions in cultural policy: Contrasting social justice and public diplomacy approaches a8843d62ec83157f25d4bc7935e1479e 0000-0003-1610-4667 Pier-Luc Dupont Picard Pier-Luc Dupont Picard true false 2023-10-13 APC On both sides of the Atlantic, the dissemination of non-Western artistic traditions among the general public has been hampered by the prevalence of Eurocentric aesthetic standards in cultural institutions and organizations. In recent years, however, some states have taken steps in order to increase the exposure of immigrant-origin artists in a variety of disciplines, including theatre, music, dance, literature, cinema and visual arts. This article offers a systematic comparison of two such initiatives that have been developed at the national level: the Equity Office of the Canada Council for the Arts and Spain’s network of cultural ‘Houses’ (Red de Casas). While the former was assigned a social justice mandate, the latter was created to further foreign policy goals through public diplomacy. These diverging approaches have created distinct funding opportunities, policy instruments and structural outcomes, with important implications for processes of artistic segregation and mainstreaming. Journal Article Crossings: Journal of Migration and Culture 8 1 49 65 Intellect 2040-4344 2040-4352 Eurocentrism; foreign policy; intercultural dialogue; migration; minority artists; positive action; racism 1 4 2017 2017-04-01 10.1386/cjmc.8.1.49_1 http://dx.doi.org/10.1386/cjmc.8.1.49_1 COLLEGE NANME Politics, Philosophy and International Relations COLLEGE CODE APC Swansea University 2023-11-27T17:28:07.4345303 2023-10-13T13:56:07.0024882 Faculty of Humanities and Social Sciences School of Social Sciences - Politics, Philosophy and International Relations Pier-Luc Dupont Picard 0000-0003-1610-4667 1
title The inclusion of non-Western artistic traditions in cultural policy: Contrasting social justice and public diplomacy approaches
spellingShingle The inclusion of non-Western artistic traditions in cultural policy: Contrasting social justice and public diplomacy approaches
Pier-Luc Dupont Picard
title_short The inclusion of non-Western artistic traditions in cultural policy: Contrasting social justice and public diplomacy approaches
title_full The inclusion of non-Western artistic traditions in cultural policy: Contrasting social justice and public diplomacy approaches
title_fullStr The inclusion of non-Western artistic traditions in cultural policy: Contrasting social justice and public diplomacy approaches
title_full_unstemmed The inclusion of non-Western artistic traditions in cultural policy: Contrasting social justice and public diplomacy approaches
title_sort The inclusion of non-Western artistic traditions in cultural policy: Contrasting social justice and public diplomacy approaches
author_id_str_mv a8843d62ec83157f25d4bc7935e1479e
author_id_fullname_str_mv a8843d62ec83157f25d4bc7935e1479e_***_Pier-Luc Dupont Picard
author Pier-Luc Dupont Picard
author2 Pier-Luc Dupont Picard
format Journal article
container_title Crossings: Journal of Migration and Culture
container_volume 8
container_issue 1
container_start_page 49
publishDate 2017
institution Swansea University
issn 2040-4344
2040-4352
doi_str_mv 10.1386/cjmc.8.1.49_1
publisher Intellect
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Social Sciences - Politics, Philosophy and International Relations{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Social Sciences - Politics, Philosophy and International Relations
url http://dx.doi.org/10.1386/cjmc.8.1.49_1
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description On both sides of the Atlantic, the dissemination of non-Western artistic traditions among the general public has been hampered by the prevalence of Eurocentric aesthetic standards in cultural institutions and organizations. In recent years, however, some states have taken steps in order to increase the exposure of immigrant-origin artists in a variety of disciplines, including theatre, music, dance, literature, cinema and visual arts. This article offers a systematic comparison of two such initiatives that have been developed at the national level: the Equity Office of the Canada Council for the Arts and Spain’s network of cultural ‘Houses’ (Red de Casas). While the former was assigned a social justice mandate, the latter was created to further foreign policy goals through public diplomacy. These diverging approaches have created distinct funding opportunities, policy instruments and structural outcomes, with important implications for processes of artistic segregation and mainstreaming.
published_date 2017-04-01T17:28:08Z
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score 11.013731

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