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Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK

Amanda Rogers Orcid Logo

GeoHumanities, Pages: 1 - 17

Swansea University Author: Amanda Rogers Orcid Logo

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Abstract

This is an autoethnographic reflection about doing research on the 1990 Cambodian National Dance Company tour to the UK. Drawing upon research on performance, history and reactivation, I argue that the situated encounters, memories and experiences associated with performance documentation – the arch...

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Published in: GeoHumanities
ISSN: 2373-566X 2373-5678
Published: Informa UK Limited 2023
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URI: https://cronfa.swan.ac.uk/Record/cronfa61600
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first_indexed 2022-11-10T15:23:58Z
last_indexed 2023-03-14T04:22:00Z
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spelling v2 61600 2022-10-19 Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK 5ddde1ecc99923098fd92c797ee0020b 0000-0002-0454-8183 Amanda Rogers Amanda Rogers true false 2022-10-19 SGE This is an autoethnographic reflection about doing research on the 1990 Cambodian National Dance Company tour to the UK. Drawing upon research on performance, history and reactivation, I argue that the situated encounters, memories and experiences associated with performance documentation – the archival “record” – complicates our sense of performative endings. I reflect on the seeming inability to study an “original” performance and the passing of dance masters during the course of my research, whilst simultaneously finding pictures and reports about them in archives and online. Through this, I consider how the affective investments of performances linger, often for decades. Journal Article GeoHumanities 1 17 Informa UK Limited 2373-566X 2373-5678 Archive, Cambodia, dance, performance, reactivation 10 2 2023 2023-02-10 10.1080/2373566x.2022.2150259 http://dx.doi.org/10.1080/2373566x.2022.2150259 COLLEGE NANME Geography COLLEGE CODE SGE Swansea University 2023-06-01T16:20:08.9428866 2022-10-19T15:54:44.8834941 Faculty of Science and Engineering School of Biosciences, Geography and Physics - Geography Amanda Rogers 0000-0002-0454-8183 1 Under embargo Under embargo 2022-11-11T14:54:03.6770174 Output 194661 application/pdf Accepted Manuscript true 2024-02-10T00:00:00.0000000 true eng
title Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
spellingShingle Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
Amanda Rogers
title_short Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
title_full Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
title_fullStr Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
title_full_unstemmed Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
title_sort Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
author_id_str_mv 5ddde1ecc99923098fd92c797ee0020b
author_id_fullname_str_mv 5ddde1ecc99923098fd92c797ee0020b_***_Amanda Rogers
author Amanda Rogers
author2 Amanda Rogers
format Journal article
container_title GeoHumanities
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publishDate 2023
institution Swansea University
issn 2373-566X
2373-5678
doi_str_mv 10.1080/2373566x.2022.2150259
publisher Informa UK Limited
college_str Faculty of Science and Engineering
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hierarchy_top_id facultyofscienceandengineering
hierarchy_top_title Faculty of Science and Engineering
hierarchy_parent_id facultyofscienceandengineering
hierarchy_parent_title Faculty of Science and Engineering
department_str School of Biosciences, Geography and Physics - Geography{{{_:::_}}}Faculty of Science and Engineering{{{_:::_}}}School of Biosciences, Geography and Physics - Geography
url http://dx.doi.org/10.1080/2373566x.2022.2150259
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description This is an autoethnographic reflection about doing research on the 1990 Cambodian National Dance Company tour to the UK. Drawing upon research on performance, history and reactivation, I argue that the situated encounters, memories and experiences associated with performance documentation – the archival “record” – complicates our sense of performative endings. I reflect on the seeming inability to study an “original” performance and the passing of dance masters during the course of my research, whilst simultaneously finding pictures and reports about them in archives and online. Through this, I consider how the affective investments of performances linger, often for decades.
published_date 2023-02-10T16:20:07Z
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score 11.01306