Journal article 427 views
Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK
GeoHumanities, Pages: 1 - 17
Swansea University Author:
Amanda Rogers
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DOI (Published version): 10.1080/2373566x.2022.2150259
Abstract
This is an autoethnographic reflection about doing research on the 1990 Cambodian National Dance Company tour to the UK. Drawing upon research on performance, history and reactivation, I argue that the situated encounters, memories and experiences associated with performance documentation – the arch...
Published in: | GeoHumanities |
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ISSN: | 2373-566X 2373-5678 |
Published: |
Informa UK Limited
2023
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URI: | https://cronfa.swan.ac.uk/Record/cronfa61600 |
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v2 61600 2022-10-19 Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK 5ddde1ecc99923098fd92c797ee0020b 0000-0002-0454-8183 Amanda Rogers Amanda Rogers true false 2022-10-19 SGE This is an autoethnographic reflection about doing research on the 1990 Cambodian National Dance Company tour to the UK. Drawing upon research on performance, history and reactivation, I argue that the situated encounters, memories and experiences associated with performance documentation – the archival “record” – complicates our sense of performative endings. I reflect on the seeming inability to study an “original” performance and the passing of dance masters during the course of my research, whilst simultaneously finding pictures and reports about them in archives and online. Through this, I consider how the affective investments of performances linger, often for decades. Journal Article GeoHumanities 1 17 Informa UK Limited 2373-566X 2373-5678 Archive, Cambodia, dance, performance, reactivation 10 2 2023 2023-02-10 10.1080/2373566x.2022.2150259 http://dx.doi.org/10.1080/2373566x.2022.2150259 COLLEGE NANME Geography COLLEGE CODE SGE Swansea University 2023-06-01T16:20:08.9428866 2022-10-19T15:54:44.8834941 Faculty of Science and Engineering School of Biosciences, Geography and Physics - Geography Amanda Rogers 0000-0002-0454-8183 1 Under embargo Under embargo 2022-11-11T14:54:03.6770174 Output 194661 application/pdf Accepted Manuscript true 2024-02-10T00:00:00.0000000 true eng |
title |
Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK |
spellingShingle |
Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK Amanda Rogers |
title_short |
Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK |
title_full |
Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK |
title_fullStr |
Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK |
title_full_unstemmed |
Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK |
title_sort |
Reactivating the Record: Performance, Spaces of History, and Researching the 1990 Cambodian National Dance Company Tour to the UK |
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5ddde1ecc99923098fd92c797ee0020b |
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5ddde1ecc99923098fd92c797ee0020b_***_Amanda Rogers |
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Amanda Rogers |
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Amanda Rogers |
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GeoHumanities |
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1 |
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2023 |
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Swansea University |
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2373-566X 2373-5678 |
doi_str_mv |
10.1080/2373566x.2022.2150259 |
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Informa UK Limited |
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Faculty of Science and Engineering |
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http://dx.doi.org/10.1080/2373566x.2022.2150259 |
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description |
This is an autoethnographic reflection about doing research on the 1990 Cambodian National Dance Company tour to the UK. Drawing upon research on performance, history and reactivation, I argue that the situated encounters, memories and experiences associated with performance documentation – the archival “record” – complicates our sense of performative endings. I reflect on the seeming inability to study an “original” performance and the passing of dance masters during the course of my research, whilst simultaneously finding pictures and reports about them in archives and online. Through this, I consider how the affective investments of performances linger, often for decades. |
published_date |
2023-02-10T16:20:07Z |
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11.01306 |