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Audiences from the Film Archive: women’s writing and silent cinema

Lisa Smithstead

Using Moving Image Archives, Pages: 32 - 47

Swansea University Author: Lisa Smithstead

Abstract

The article draws on the wide range of extra-textual material available in film ephemera archives like the Bill Douglas Centre at the University of Exeter to address the formation of spectatorship and the response of specific gendered audiences in British silent film culture between 1918 and 1928.

Published in: Using Moving Image Archives
ISBN: 978-0-9564641-1-8
Published: Scope: An Online Journal of Film and Television Studies 2010
Online Access: https://www.nottingham.ac.uk/scope/documents/2010/june-2010/archives-ebook.pdf
URI: https://cronfa.swan.ac.uk/Record/cronfa60758
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Abstract: The article draws on the wide range of extra-textual material available in film ephemera archives like the Bill Douglas Centre at the University of Exeter to address the formation of spectatorship and the response of specific gendered audiences in British silent film culture between 1918 and 1928.
College: Faculty of Humanities and Social Sciences
Funders: Arts and Humanities Research Council
Start Page: 32
End Page: 47