Journal article 589 views
"So oft to the movies they've been": British fan writing and female audiences in the silent cinema
Lisa Smithstead
Transformative Works and Cultures, Volume: 6
Swansea University Author: Lisa Smithstead
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DOI (Published version): 10.3983/twc.2011.0224
Abstract
This article aims to address the ways in which working-class and lower-middle-class British women used silent-era fan magazines as a space for articulating their role within the development of a female film culture. The article focuses on letter pages that formed a key site for female contribution t...
Published in: | Transformative Works and Cultures |
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ISSN: | 1941-2258 |
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Transformative Works and Cultures
2011
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URI: | https://cronfa.swan.ac.uk/Record/cronfa60752 |
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2022-08-25T13:42:31.8676705 v2 60752 2022-08-05 "So oft to the movies they've been": British fan writing and female audiences in the silent cinema 93398d7d636683958868319f391a8260 Lisa Smithstead Lisa Smithstead true false 2022-08-05 AMED This article aims to address the ways in which working-class and lower-middle-class British women used silent-era fan magazines as a space for articulating their role within the development of a female film culture. The article focuses on letter pages that formed a key site for female contribution to British fan magazines across the silent era. In contributing to these pages, women found a space to debate and discuss the appeal and significance of particular female representations within film culture. Using detailed archival research tracing the content of a specific magazine, Picturegoer, across a 15-year period (1913–28), the article will show the dominance of particular types of female representation in both fan and "official" magazine discourses, analyzing the ways in which British women used these images to work through national tensions regarding modern femininity and traditional ideas of female propriety and restraint. Journal Article Transformative Works and Cultures 6 Transformative Works and Cultures 1941-2258 15 3 2011 2011-03-15 10.3983/twc.2011.0224 COLLEGE NANME Media COLLEGE CODE AMED Swansea University Another institution paid the OA fee 2022-08-25T13:42:31.8676705 2022-08-05T12:56:11.4604053 Faculty of Humanities and Social Sciences School of Culture and Communication - Media, Communications, Journalism and PR Lisa Smithstead 1 |
title |
"So oft to the movies they've been": British fan writing and female audiences in the silent cinema |
spellingShingle |
"So oft to the movies they've been": British fan writing and female audiences in the silent cinema Lisa Smithstead |
title_short |
"So oft to the movies they've been": British fan writing and female audiences in the silent cinema |
title_full |
"So oft to the movies they've been": British fan writing and female audiences in the silent cinema |
title_fullStr |
"So oft to the movies they've been": British fan writing and female audiences in the silent cinema |
title_full_unstemmed |
"So oft to the movies they've been": British fan writing and female audiences in the silent cinema |
title_sort |
"So oft to the movies they've been": British fan writing and female audiences in the silent cinema |
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93398d7d636683958868319f391a8260 |
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93398d7d636683958868319f391a8260_***_Lisa Smithstead |
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Lisa Smithstead |
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Lisa Smithstead |
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Transformative Works and Cultures |
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6 |
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2011 |
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Swansea University |
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1941-2258 |
doi_str_mv |
10.3983/twc.2011.0224 |
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Transformative Works and Cultures |
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Faculty of Humanities and Social Sciences |
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Faculty of Humanities and Social Sciences |
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Faculty of Humanities and Social Sciences |
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School of Culture and Communication - Media, Communications, Journalism and PR{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - Media, Communications, Journalism and PR |
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description |
This article aims to address the ways in which working-class and lower-middle-class British women used silent-era fan magazines as a space for articulating their role within the development of a female film culture. The article focuses on letter pages that formed a key site for female contribution to British fan magazines across the silent era. In contributing to these pages, women found a space to debate and discuss the appeal and significance of particular female representations within film culture. Using detailed archival research tracing the content of a specific magazine, Picturegoer, across a 15-year period (1913–28), the article will show the dominance of particular types of female representation in both fan and "official" magazine discourses, analyzing the ways in which British women used these images to work through national tensions regarding modern femininity and traditional ideas of female propriety and restraint. |
published_date |
2011-03-15T04:19:07Z |
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11.037056 |