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Reframing Vivien Leigh: Stardom, Gender, and the Archive
Lisa Smithstead
Swansea University Author: Lisa Smithstead
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DOI (Published version): 10.1093/oso/9780190906504.001.0001
Abstract
Reframing Vivien Leigh takes a fresh new look at one of the twentieth century’s most iconic stars. Focusing on Vivien Leigh as a distinctly archival subject, the book draws upon original oral history work with curators, archivists, and fan collectives and extensive research within a network of offic...
ISBN: | 9780190906504 9780190906542 |
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Published: |
New York, NY
Oxford University Press
2021
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URI: | https://cronfa.swan.ac.uk/Record/cronfa60709 |
first_indexed |
2022-08-03T09:20:42Z |
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last_indexed |
2024-11-14T12:17:50Z |
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cronfa60709 |
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2024-10-30T13:06:25.9930247 v2 60709 2022-08-03 Reframing Vivien Leigh: Stardom, Gender, and the Archive 93398d7d636683958868319f391a8260 Lisa Smithstead Lisa Smithstead true false 2022-08-03 CACS Reframing Vivien Leigh takes a fresh new look at one of the twentieth century’s most iconic stars. Focusing on Vivien Leigh as a distinctly archival subject, the book draws upon original oral history work with curators, archivists, and fan collectives and extensive research within a network of official and unofficial archives around the world to produce alternative stories about her place within film history. The study examines an intriguing variety of historical correspondence, costume, scripts, photography, props, and memorabilia in order to reframe the dominant narratives that have surrounded her life and career. While Leigh’s glamour, collaborations with Laurence Olivier, and mental health form important coordinates for any study of the star, the book foregrounds a range of alternative contexts that emphasize her creative agency, examining her off-screen labor in areas such as theatrical training, adaptation, war work, producing, protesting, and interactions with her fan base. Part I examines a variety of case studies of Leigh’s screen and stage craft as they emerge from the archive, looking at Leigh’s varied collaborations, her investment in faithful adaptations, and her vocal training. It interconnects star studies, feminist film studies, and performance studies to produce a new take on stardom as creative process rather than stardom as image. Part II turns toward unofficial archives and local museum collections, centering the work of the archivist and the amateur collector and their impact on women’s star histories. It explores Leigh’s archival afterlives as they are constructed by a range of agents and institutions beyond the “official” star archive. Book Oxford University Press New York, NY 9780190906504 9780190906542 Vivien Leigh, archives, stardom, film history, creative labor, fandom, theatre history, performance, celebrity, museums 20 4 2021 2021-04-20 10.1093/oso/9780190906504.001.0001 COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University Not Required Arts and Humanities Research Council AH/S001905/1 2024-10-30T13:06:25.9930247 2022-08-03T10:12:14.5466075 Faculty of Humanities and Social Sciences School of Culture and Communication - Media, Communications, Journalism and PR Lisa Smithstead 1 |
title |
Reframing Vivien Leigh: Stardom, Gender, and the Archive |
spellingShingle |
Reframing Vivien Leigh: Stardom, Gender, and the Archive Lisa Smithstead |
title_short |
Reframing Vivien Leigh: Stardom, Gender, and the Archive |
title_full |
Reframing Vivien Leigh: Stardom, Gender, and the Archive |
title_fullStr |
Reframing Vivien Leigh: Stardom, Gender, and the Archive |
title_full_unstemmed |
Reframing Vivien Leigh: Stardom, Gender, and the Archive |
title_sort |
Reframing Vivien Leigh: Stardom, Gender, and the Archive |
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Lisa Smithstead |
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2021 |
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Swansea University |
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Oxford University Press |
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Reframing Vivien Leigh takes a fresh new look at one of the twentieth century’s most iconic stars. Focusing on Vivien Leigh as a distinctly archival subject, the book draws upon original oral history work with curators, archivists, and fan collectives and extensive research within a network of official and unofficial archives around the world to produce alternative stories about her place within film history. The study examines an intriguing variety of historical correspondence, costume, scripts, photography, props, and memorabilia in order to reframe the dominant narratives that have surrounded her life and career. While Leigh’s glamour, collaborations with Laurence Olivier, and mental health form important coordinates for any study of the star, the book foregrounds a range of alternative contexts that emphasize her creative agency, examining her off-screen labor in areas such as theatrical training, adaptation, war work, producing, protesting, and interactions with her fan base. Part I examines a variety of case studies of Leigh’s screen and stage craft as they emerge from the archive, looking at Leigh’s varied collaborations, her investment in faithful adaptations, and her vocal training. It interconnects star studies, feminist film studies, and performance studies to produce a new take on stardom as creative process rather than stardom as image. Part II turns toward unofficial archives and local museum collections, centering the work of the archivist and the amateur collector and their impact on women’s star histories. It explores Leigh’s archival afterlives as they are constructed by a range of agents and institutions beyond the “official” star archive. |
published_date |
2021-04-20T02:30:34Z |
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1821370885502664704 |
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11.04748 |