No Cover Image

Journal article 869 views 71 downloads

Film. Geography: stirring still remains

Marcus Doel Orcid Logo

GeoJournal, Volume: 87, Issue: S1, Pages: 11 - 21

Swansea University Author: Marcus Doel Orcid Logo

  • 58442_VoR.pdf

    PDF | Version of Record

    © The Author(s) 2022. This article is licensed under a Creative Commons Attribution 4.0 International License

    Download (521.31KB)

Check full text

DOI (Published version): 10.1007/s10708-022-10648-x

Abstract

Inspired by the distinction that Gilles Deleuze drew between the ‘movement-image’ and the ‘time-image,’ the paper considers the ‘film’—the ‘skin’—of ‘film geography,’ not in terms of the customary geography of film, the geography in film, or the geography from film, but rather in terms of geography...

Full description

Published in: GeoJournal
ISSN: 0343-2521 1572-9893
Published: Springer Science and Business Media LLC 2022
Online Access: Check full text

URI: https://cronfa.swan.ac.uk/Record/cronfa58442
first_indexed 2021-10-20T22:14:48Z
last_indexed 2023-01-11T14:39:03Z
id cronfa58442
recordtype SURis
fullrecord <?xml version="1.0"?><rfc1807><datestamp>2022-11-07T10:21:51.3884212</datestamp><bib-version>v2</bib-version><id>58442</id><entry>2021-10-20</entry><title>Film. Geography: stirring still remains</title><swanseaauthors><author><sid>430ecb1335cc7bceb7ff7a87c7b547e4</sid><ORCID>0000-0002-8892-2709</ORCID><firstname>Marcus</firstname><surname>Doel</surname><name>Marcus Doel</name><active>true</active><ethesisStudent>false</ethesisStudent></author></swanseaauthors><date>2021-10-20</date><deptcode>BGPS</deptcode><abstract>Inspired by the distinction that Gilles Deleuze drew between the &#x2018;movement-image&#x2019; and the &#x2018;time-image,&#x2019; the paper considers the &#x2018;film&#x2019;&#x2014;the &#x2018;skin&#x2019;&#x2014;of &#x2018;film geography,&#x2019; not in terms of the customary geography of film, the geography in film, or the geography from film, but rather in terms of geography as film, a literal &#x2018;film&#x2019; geography or &#x2018;filmic&#x2019; geography. To get under the skin of film geography, the paper proceeds in three parts. The first part shatters the conception of film as a re-presentation. The second touches a raw nerve by channelling the power of the false. The third splits open and unfolds the two faces of film, namely the &#x2018;movement-image&#x2019; and the &#x2018;time-image.&#x2019; By way of conclusion, the paper ends its flaying of film geography with a &#x2018;stirring still&#x2019; taken from Michael Madsen&#x2019;s (2010) Into Eternity: A Film for the Future, which documents the construction of Onkalo, the world&#x2019;s first deep-geological nuclear-waste disposal facility that must remain undisturbed for at least 100,000 years once the tomb is sealed in the early twenty-second century.</abstract><type>Journal Article</type><journal>GeoJournal</journal><volume>87</volume><journalNumber>S1</journalNumber><paginationStart>11</paginationStart><paginationEnd>21</paginationEnd><publisher>Springer Science and Business Media LLC</publisher><placeOfPublication/><isbnPrint/><isbnElectronic/><issnPrint>0343-2521</issnPrint><issnElectronic>1572-9893</issnElectronic><keywords>Film geography, Movement-image, Time-image, Gilles Deleuze, Michael Madsen, Into Eternity: A Film for the Future</keywords><publishedDay>1</publishedDay><publishedMonth>8</publishedMonth><publishedYear>2022</publishedYear><publishedDate>2022-08-01</publishedDate><doi>10.1007/s10708-022-10648-x</doi><url/><notes/><college>COLLEGE NANME</college><department>Biosciences Geography and Physics School</department><CollegeCode>COLLEGE CODE</CollegeCode><DepartmentCode>BGPS</DepartmentCode><institution>Swansea University</institution><apcterm>SU Library paid the OA fee (TA Institutional Deal)</apcterm><funders>None</funders><projectreference/><lastEdited>2022-11-07T10:21:51.3884212</lastEdited><Created>2021-10-20T23:10:56.2438876</Created><path><level id="1">Faculty of Science and Engineering</level><level id="2">School of Biosciences, Geography and Physics - Geography</level></path><authors><author><firstname>Marcus</firstname><surname>Doel</surname><orcid>0000-0002-8892-2709</orcid><order>1</order></author></authors><documents><document><filename>58442__25054__8e2cd8620ca14c3cb50140bad9fd657a.pdf</filename><originalFilename>58442_VoR.pdf</originalFilename><uploaded>2022-08-31T13:41:51.6831287</uploaded><type>Output</type><contentLength>533817</contentLength><contentType>application/pdf</contentType><version>Version of Record</version><cronfaStatus>true</cronfaStatus><documentNotes>&#xA9; The Author(s) 2022. This article is licensed under a Creative Commons Attribution 4.0 International License</documentNotes><copyrightCorrect>true</copyrightCorrect><language>eng</language><licence>http://creativecommons.org/licenses/by/4.0/</licence></document></documents><OutputDurs/></rfc1807>
spelling 2022-11-07T10:21:51.3884212 v2 58442 2021-10-20 Film. Geography: stirring still remains 430ecb1335cc7bceb7ff7a87c7b547e4 0000-0002-8892-2709 Marcus Doel Marcus Doel true false 2021-10-20 BGPS Inspired by the distinction that Gilles Deleuze drew between the ‘movement-image’ and the ‘time-image,’ the paper considers the ‘film’—the ‘skin’—of ‘film geography,’ not in terms of the customary geography of film, the geography in film, or the geography from film, but rather in terms of geography as film, a literal ‘film’ geography or ‘filmic’ geography. To get under the skin of film geography, the paper proceeds in three parts. The first part shatters the conception of film as a re-presentation. The second touches a raw nerve by channelling the power of the false. The third splits open and unfolds the two faces of film, namely the ‘movement-image’ and the ‘time-image.’ By way of conclusion, the paper ends its flaying of film geography with a ‘stirring still’ taken from Michael Madsen’s (2010) Into Eternity: A Film for the Future, which documents the construction of Onkalo, the world’s first deep-geological nuclear-waste disposal facility that must remain undisturbed for at least 100,000 years once the tomb is sealed in the early twenty-second century. Journal Article GeoJournal 87 S1 11 21 Springer Science and Business Media LLC 0343-2521 1572-9893 Film geography, Movement-image, Time-image, Gilles Deleuze, Michael Madsen, Into Eternity: A Film for the Future 1 8 2022 2022-08-01 10.1007/s10708-022-10648-x COLLEGE NANME Biosciences Geography and Physics School COLLEGE CODE BGPS Swansea University SU Library paid the OA fee (TA Institutional Deal) None 2022-11-07T10:21:51.3884212 2021-10-20T23:10:56.2438876 Faculty of Science and Engineering School of Biosciences, Geography and Physics - Geography Marcus Doel 0000-0002-8892-2709 1 58442__25054__8e2cd8620ca14c3cb50140bad9fd657a.pdf 58442_VoR.pdf 2022-08-31T13:41:51.6831287 Output 533817 application/pdf Version of Record true © The Author(s) 2022. This article is licensed under a Creative Commons Attribution 4.0 International License true eng http://creativecommons.org/licenses/by/4.0/
title Film. Geography: stirring still remains
spellingShingle Film. Geography: stirring still remains
Marcus Doel
title_short Film. Geography: stirring still remains
title_full Film. Geography: stirring still remains
title_fullStr Film. Geography: stirring still remains
title_full_unstemmed Film. Geography: stirring still remains
title_sort Film. Geography: stirring still remains
author_id_str_mv 430ecb1335cc7bceb7ff7a87c7b547e4
author_id_fullname_str_mv 430ecb1335cc7bceb7ff7a87c7b547e4_***_Marcus Doel
author Marcus Doel
author2 Marcus Doel
format Journal article
container_title GeoJournal
container_volume 87
container_issue S1
container_start_page 11
publishDate 2022
institution Swansea University
issn 0343-2521
1572-9893
doi_str_mv 10.1007/s10708-022-10648-x
publisher Springer Science and Business Media LLC
college_str Faculty of Science and Engineering
hierarchytype
hierarchy_top_id facultyofscienceandengineering
hierarchy_top_title Faculty of Science and Engineering
hierarchy_parent_id facultyofscienceandengineering
hierarchy_parent_title Faculty of Science and Engineering
department_str School of Biosciences, Geography and Physics - Geography{{{_:::_}}}Faculty of Science and Engineering{{{_:::_}}}School of Biosciences, Geography and Physics - Geography
document_store_str 1
active_str 0
description Inspired by the distinction that Gilles Deleuze drew between the ‘movement-image’ and the ‘time-image,’ the paper considers the ‘film’—the ‘skin’—of ‘film geography,’ not in terms of the customary geography of film, the geography in film, or the geography from film, but rather in terms of geography as film, a literal ‘film’ geography or ‘filmic’ geography. To get under the skin of film geography, the paper proceeds in three parts. The first part shatters the conception of film as a re-presentation. The second touches a raw nerve by channelling the power of the false. The third splits open and unfolds the two faces of film, namely the ‘movement-image’ and the ‘time-image.’ By way of conclusion, the paper ends its flaying of film geography with a ‘stirring still’ taken from Michael Madsen’s (2010) Into Eternity: A Film for the Future, which documents the construction of Onkalo, the world’s first deep-geological nuclear-waste disposal facility that must remain undisturbed for at least 100,000 years once the tomb is sealed in the early twenty-second century.
published_date 2022-08-01T20:06:47Z
_version_ 1821346740855373824
score 11.04748

Similar Items