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Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era

Amanda Rogers Orcid Logo

GeoHumanities, Volume: 8, Issue: 1, Pages: 157 - 176

Swansea University Author: Amanda Rogers Orcid Logo

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DOI (Published version): 10.1080/2373566x.2021.1977162

Abstract

This article examines how the legacies and experiences of the Khmer Rouge (1975-1979) are expressed by contemporary dancers in Cambodia. It stems from the recognition that such works do not always resort to particular performative formats for their power and effect – specifically those that rely upo...

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Published in: GeoHumanities
ISSN: 2373-566X 2373-5678
Published: Informa UK Limited 2022
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URI: https://cronfa.swan.ac.uk/Record/cronfa57601
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first_indexed 2021-09-16T10:52:52Z
last_indexed 2023-01-11T14:37:37Z
id cronfa57601
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spelling 2022-07-25T16:59:13.0730007 v2 57601 2021-08-12 Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era 5ddde1ecc99923098fd92c797ee0020b 0000-0002-0454-8183 Amanda Rogers Amanda Rogers true false 2021-08-12 SGE This article examines how the legacies and experiences of the Khmer Rouge (1975-1979) are expressed by contemporary dancers in Cambodia. It stems from the recognition that such works do not always resort to particular performative formats for their power and effect – specifically those that rely upon testimonial forms that promote the desire for showing, documenting, witnessing and healing. This is not to deny those dynamics in these works, nor the importance of them for artistic expression, but it is to consider how creative praxis can potentially open up additional, and culturally specific, responses to a genocidal era. In particular, the article draws upon Rebecca Schneider’s (2011) ideas of performing remains to argue that the multiple temporalities of history are leading some artists to express experiences of the regime through forms of performance that articulate hope for the future. Journal Article GeoHumanities 8 1 157 176 Informa UK Limited 2373-566X 2373-5678 Cambodia; contemporary dance; genocide; Khmer Rouge; performance 2 1 2022 2022-01-02 10.1080/2373566x.2021.1977162 COLLEGE NANME Geography COLLEGE CODE SGE Swansea University Not Required British Academy-ASEASUK-ECAF; Leverhulme Trust. 2022-07-25T16:59:13.0730007 2021-08-12T08:29:25.0388540 Faculty of Science and Engineering School of Biosciences, Geography and Physics - Geography Amanda Rogers 0000-0002-0454-8183 1 57601__20612__6060e7ef0b5d48c9a263ba2ee9b287b5.pdf Khmer Rouge performances FINAL.pdf 2021-08-12T08:32:00.7407837 Output 394881 application/pdf Accepted Manuscript true 2022-11-01T00:00:00.0000000 Released under the terms of a CC BY-NC license. true eng
title Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era
spellingShingle Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era
Amanda Rogers
title_short Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era
title_full Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era
title_fullStr Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era
title_full_unstemmed Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era
title_sort Remaining with the Khmer Rouge: Contemporary Cambodian Performances Addressing Genocide in a Post-genocide Era
author_id_str_mv 5ddde1ecc99923098fd92c797ee0020b
author_id_fullname_str_mv 5ddde1ecc99923098fd92c797ee0020b_***_Amanda Rogers
author Amanda Rogers
author2 Amanda Rogers
format Journal article
container_title GeoHumanities
container_volume 8
container_issue 1
container_start_page 157
publishDate 2022
institution Swansea University
issn 2373-566X
2373-5678
doi_str_mv 10.1080/2373566x.2021.1977162
publisher Informa UK Limited
college_str Faculty of Science and Engineering
hierarchytype
hierarchy_top_id facultyofscienceandengineering
hierarchy_top_title Faculty of Science and Engineering
hierarchy_parent_id facultyofscienceandengineering
hierarchy_parent_title Faculty of Science and Engineering
department_str School of Biosciences, Geography and Physics - Geography{{{_:::_}}}Faculty of Science and Engineering{{{_:::_}}}School of Biosciences, Geography and Physics - Geography
document_store_str 1
active_str 0
description This article examines how the legacies and experiences of the Khmer Rouge (1975-1979) are expressed by contemporary dancers in Cambodia. It stems from the recognition that such works do not always resort to particular performative formats for their power and effect – specifically those that rely upon testimonial forms that promote the desire for showing, documenting, witnessing and healing. This is not to deny those dynamics in these works, nor the importance of them for artistic expression, but it is to consider how creative praxis can potentially open up additional, and culturally specific, responses to a genocidal era. In particular, the article draws upon Rebecca Schneider’s (2011) ideas of performing remains to argue that the multiple temporalities of history are leading some artists to express experiences of the regime through forms of performance that articulate hope for the future.
published_date 2022-01-02T04:13:28Z
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score 11.012924

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