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From the Margins to the Text: Monsters and Laughter in Angela Carter's Writing

Sarah Gamble

Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play, Pages: 56 - 75

Swansea University Author: Sarah Gamble

Abstract

This essay examines Carter's use of humour in her writing, and arguing that it treads a fine line between generosity and victimisation (what the essay designates 'laughing at' and 'laughing with'. In this context, the most amusing characters are also often the most monstrous...

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Published in: Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play
ISBN: 978-1-78976-005-7
Published: Sussex Academic Press 2021
Online Access: http://www.sussex-academic.com/sa/titles/literary_criticism/gustar.htm
URI: https://cronfa.swan.ac.uk/Record/cronfa56748
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first_indexed 2021-05-21T15:15:51Z
last_indexed 2021-05-22T03:24:12Z
id cronfa56748
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spelling v2 56748 2021-04-27 From the Margins to the Text: Monsters and Laughter in Angela Carter's Writing 160e40d8c289a3b332b4aef83893421c Sarah Gamble Sarah Gamble true false 2021-04-27 AELC This essay examines Carter's use of humour in her writing, and arguing that it treads a fine line between generosity and victimisation (what the essay designates 'laughing at' and 'laughing with'. In this context, the most amusing characters are also often the most monstrous - a trope that is traced back to the medieval presentations of monsters, often drawn in the margins of texts. Thus, Carter takes the monstrous marginal, and brings it to the centre of the text in order to create an unruly carnivalesque. Book chapter Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play 56 75 Sussex Academic Press 978-1-78976-005-7 1 2 2021 2021-02-01 http://www.sussex-academic.com/sa/titles/literary_criticism/gustar.htm COLLEGE NANME English Literature COLLEGE CODE AELC Swansea University 2023-07-31T15:57:10.2995220 2021-04-27T21:56:36.4209111 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing Sarah Gamble 1
title From the Margins to the Text: Monsters and Laughter in Angela Carter's Writing
spellingShingle From the Margins to the Text: Monsters and Laughter in Angela Carter's Writing
Sarah Gamble
title_short From the Margins to the Text: Monsters and Laughter in Angela Carter's Writing
title_full From the Margins to the Text: Monsters and Laughter in Angela Carter's Writing
title_fullStr From the Margins to the Text: Monsters and Laughter in Angela Carter's Writing
title_full_unstemmed From the Margins to the Text: Monsters and Laughter in Angela Carter's Writing
title_sort From the Margins to the Text: Monsters and Laughter in Angela Carter's Writing
author_id_str_mv 160e40d8c289a3b332b4aef83893421c
author_id_fullname_str_mv 160e40d8c289a3b332b4aef83893421c_***_Sarah Gamble
author Sarah Gamble
author2 Sarah Gamble
format Book chapter
container_title Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play
container_start_page 56
publishDate 2021
institution Swansea University
isbn 978-1-78976-005-7
publisher Sussex Academic Press
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Literature, Creative Writing{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Literature, Creative Writing
url http://www.sussex-academic.com/sa/titles/literary_criticism/gustar.htm
document_store_str 0
active_str 0
description This essay examines Carter's use of humour in her writing, and arguing that it treads a fine line between generosity and victimisation (what the essay designates 'laughing at' and 'laughing with'. In this context, the most amusing characters are also often the most monstrous - a trope that is traced back to the medieval presentations of monsters, often drawn in the margins of texts. Thus, Carter takes the monstrous marginal, and brings it to the centre of the text in order to create an unruly carnivalesque.
published_date 2021-02-01T15:57:05Z
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score 11.014067

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