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Never Go Crooked: A Theatrical Exploration of Hybristophilia / Elinor S. Martin

DOI (Published version): 10.23889/Suthesis.52435

Abstract

The stage play Never Go Crooked is a dramatic exploration of the plight of a young woman, Jennifer, who is dangerously drawn to a man, who is serving a prison sentence for the murder of his partner. The play takes the form of a series of direct-to-the-audience addresses by Jennifer, her sister Heath...

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Published: 2019
Institution: Swansea University
Degree level: Doctoral
Degree name: Ph.D
URI: https://cronfa.swan.ac.uk/Record/cronfa52435
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first_indexed 2019-10-15T04:38:17Z
last_indexed 2019-10-21T16:58:51Z
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spelling 2019-10-15T16:34:58.6969502 v2 52435 2019-10-14 Never Go Crooked: A Theatrical Exploration of Hybristophilia 2019-10-14 The stage play Never Go Crooked is a dramatic exploration of the plight of a young woman, Jennifer, who is dangerously drawn to a man, who is serving a prison sentence for the murder of his partner. The play takes the form of a series of direct-to-the-audience addresses by Jennifer, her sister Heather, her friend Claire and her mother Rose. These are inter-cut with active scenes from the memories of each of these women, and with the after-death presence of the murdered woman, Maria. The primary dramaturgical device is that Jennifer, Rose, Heather and Claire are each speaking individually to a psychologist who has been assigned the task of investigating Jennifer’s behaviour. The audience is addressed as if it is the psychologist. Dramatic tension and forward motion in the play is created through our knowledge that the man, Leon really did kill Maria, and that, whatever her motivation, Jennifer is placing herself in an increasingly hazardous situation. She is safe provided Leon remains in prison, but can we be sure of that? Thus, the play has a present tense (the addresses to audience) a past timeframe (the memory scenes) and a projected future of danger, all haunted by Maria’s presence. It should be noted that early drafts of the play had Leon as a present character. In the final draft he is an unseen threat. Thus all on stage characters are women. The Dramaturgical section of this thesis considers the best possible methods of portraying the story. For example, while naturalism works most successfully for the dialogue, the staging required a different approach, tending towards magic realism. As is made clear in the exegesis, the primary motivation for writing Never Go Crooked was to highlight the condition sometimes known as Bonnie and Clyde syndrome, or, more technically, Hybristophilia. E-Thesis Bonnie and Clyde syndrome, Hybristophilia, naturalism, realism, magic-realism 31 12 2019 2019-12-31 10.23889/Suthesis.52435 COLLEGE NANME COLLEGE CODE Swansea University Doctoral Ph.D 2019-10-15T16:34:58.6969502 2019-10-14T16:00:33.6217068 Faculty of Humanities and Social Sciences School of Culture and Communication - English Literature, Creative Writing Elinor S. Martin 1 0052435-15102019114548.pdf Martin_Elinor_S_PhD_Thesis_Final.pdf 2019-10-15T11:45:48.7800000 Output 79716251 application/pdf E-Thesis – open access true 2019-10-14T00:00:00.0000000 true
title Never Go Crooked: A Theatrical Exploration of Hybristophilia
spellingShingle Never Go Crooked: A Theatrical Exploration of Hybristophilia
,
title_short Never Go Crooked: A Theatrical Exploration of Hybristophilia
title_full Never Go Crooked: A Theatrical Exploration of Hybristophilia
title_fullStr Never Go Crooked: A Theatrical Exploration of Hybristophilia
title_full_unstemmed Never Go Crooked: A Theatrical Exploration of Hybristophilia
title_sort Never Go Crooked: A Theatrical Exploration of Hybristophilia
author ,
author2 Elinor S. Martin
format E-Thesis
publishDate 2019
institution Swansea University
doi_str_mv 10.23889/Suthesis.52435
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Literature, Creative Writing{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Literature, Creative Writing
document_store_str 1
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description The stage play Never Go Crooked is a dramatic exploration of the plight of a young woman, Jennifer, who is dangerously drawn to a man, who is serving a prison sentence for the murder of his partner. The play takes the form of a series of direct-to-the-audience addresses by Jennifer, her sister Heather, her friend Claire and her mother Rose. These are inter-cut with active scenes from the memories of each of these women, and with the after-death presence of the murdered woman, Maria. The primary dramaturgical device is that Jennifer, Rose, Heather and Claire are each speaking individually to a psychologist who has been assigned the task of investigating Jennifer’s behaviour. The audience is addressed as if it is the psychologist. Dramatic tension and forward motion in the play is created through our knowledge that the man, Leon really did kill Maria, and that, whatever her motivation, Jennifer is placing herself in an increasingly hazardous situation. She is safe provided Leon remains in prison, but can we be sure of that? Thus, the play has a present tense (the addresses to audience) a past timeframe (the memory scenes) and a projected future of danger, all haunted by Maria’s presence. It should be noted that early drafts of the play had Leon as a present character. In the final draft he is an unseen threat. Thus all on stage characters are women. The Dramaturgical section of this thesis considers the best possible methods of portraying the story. For example, while naturalism works most successfully for the dialogue, the staging required a different approach, tending towards magic realism. As is made clear in the exegesis, the primary motivation for writing Never Go Crooked was to highlight the condition sometimes known as Bonnie and Clyde syndrome, or, more technically, Hybristophilia.
published_date 2019-12-31T04:04:48Z
_version_ 1763753368566628352
score 11.013371

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