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Feeling “Brexit”: Nationalism and the Affective Politics of Movement

Angharad Closs Stephens Orcid Logo

GeoHumanities, Pages: 1 - 19

Swansea University Author: Angharad Closs Stephens Orcid Logo

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DOI (Published version): 10.1080/2373566X.2019.1620623

Abstract

This article discusses what ‘Brexit’ felt like in the year following the UK vote–held on 23 June 2016–to leave the European Union through a performance called ‘The Populars’ created and performed in 2017 by Volcano Theatre, in Swansea (Abertawe). The article addresses the specific contributions that...

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Published in: GeoHumanities
ISSN: 2373-566X 2373-5678
Published: Taylor and Francis 2019
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URI: https://cronfa.swan.ac.uk/Record/cronfa50120
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title Feeling “Brexit”: Nationalism and the Affective Politics of Movement
spellingShingle Feeling “Brexit”: Nationalism and the Affective Politics of Movement
Angharad Closs Stephens
title_short Feeling “Brexit”: Nationalism and the Affective Politics of Movement
title_full Feeling “Brexit”: Nationalism and the Affective Politics of Movement
title_fullStr Feeling “Brexit”: Nationalism and the Affective Politics of Movement
title_full_unstemmed Feeling “Brexit”: Nationalism and the Affective Politics of Movement
title_sort Feeling “Brexit”: Nationalism and the Affective Politics of Movement
author_id_str_mv b949e66c7338fbd3f328eaf5b3f944a1
author_id_fullname_str_mv b949e66c7338fbd3f328eaf5b3f944a1_***_Angharad Closs Stephens
author Angharad Closs Stephens
author2 Angharad Closs Stephens
format Journal article
container_title GeoHumanities
container_start_page 1
publishDate 2019
institution Swansea University
issn 2373-566X
2373-5678
doi_str_mv 10.1080/2373566X.2019.1620623
publisher Taylor and Francis
college_str Faculty of Science and Engineering
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hierarchy_top_id facultyofscienceandengineering
hierarchy_top_title Faculty of Science and Engineering
hierarchy_parent_id facultyofscienceandengineering
hierarchy_parent_title Faculty of Science and Engineering
department_str School of Biosciences, Geography and Physics - Geography{{{_:::_}}}Faculty of Science and Engineering{{{_:::_}}}School of Biosciences, Geography and Physics - Geography
document_store_str 1
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description This article discusses what ‘Brexit’ felt like in the year following the UK vote–held on 23 June 2016–to leave the European Union through a performance called ‘The Populars’ created and performed in 2017 by Volcano Theatre, in Swansea (Abertawe). The article addresses the specific contributions that engaging affect does in the context of ‘Brexit’: as an invitation to address heightened political feelings and also, as an alternative approach to the politics of knowledge to that enabled by a focus on voter interests or identities. Overall, the article develops ways of thinking and acting politically that defy the closures of nationalist populism.
published_date 2019-12-31T04:38:25Z
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score 11.089407

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