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Feeling “Brexit”: Nationalism and the Affective Politics of Movement

Angharad Closs Stephens Orcid Logo

GeoHumanities, Pages: 1 - 19

Swansea University Author: Angharad Closs Stephens Orcid Logo

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DOI (Published version): 10.1080/2373566X.2019.1620623

Abstract

This article discusses what ‘Brexit’ felt like in the year following the UK vote–held on 23 June 2016–to leave the European Union through a performance called ‘The Populars’ created and performed in 2017 by Volcano Theatre, in Swansea (Abertawe). The article addresses the specific contributions that...

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Published in: GeoHumanities
ISSN: 2373-566X 2373-5678
Published: Taylor and Francis 2019
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URI: https://cronfa.swan.ac.uk/Record/cronfa50120
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first_indexed 2019-05-09T20:00:54Z
last_indexed 2020-06-16T19:03:05Z
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spelling 2020-06-16T15:30:55.9655881 v2 50120 2019-04-30 Feeling “Brexit”: Nationalism and the Affective Politics of Movement b949e66c7338fbd3f328eaf5b3f944a1 0000-0002-7765-7276 Angharad Closs Stephens Angharad Closs Stephens true false 2019-04-30 SGE This article discusses what ‘Brexit’ felt like in the year following the UK vote–held on 23 June 2016–to leave the European Union through a performance called ‘The Populars’ created and performed in 2017 by Volcano Theatre, in Swansea (Abertawe). The article addresses the specific contributions that engaging affect does in the context of ‘Brexit’: as an invitation to address heightened political feelings and also, as an alternative approach to the politics of knowledge to that enabled by a focus on voter interests or identities. Overall, the article develops ways of thinking and acting politically that defy the closures of nationalist populism. Journal Article GeoHumanities 1 19 Taylor and Francis 2373-566X 2373-5678 Affect. Nation. Shame. Brexit. The People. Movement. 31 12 2019 2019-12-31 10.1080/2373566X.2019.1620623 COLLEGE NANME Geography COLLEGE CODE SGE Swansea University 2020-06-16T15:30:55.9655881 2019-04-30T11:08:40.1483318 Faculty of Science and Engineering School of Biosciences, Geography and Physics - Geography Angharad Closs Stephens 0000-0002-7765-7276 1 50120__13938__8e51ceed10154be2ad8feb4924255ed0.pdf Feeling_‘Brexit’_Final_for_upload_May212019.docx 2019-05-21T21:38:26.3300000 Output 82722 application/vnd.openxmlformats-officedocument.wordprocessingml.document Accepted Manuscript true 2019-05-21T00:00:00.0000000 true eng 0050120-27052019155337.pdf 50120.1.pdf 2019-05-27T15:53:37.1170000 Output 349652 application/pdf Accepted Manuscript true 2021-01-09T00:00:00.0000000 true eng
title Feeling “Brexit”: Nationalism and the Affective Politics of Movement
spellingShingle Feeling “Brexit”: Nationalism and the Affective Politics of Movement
Angharad Closs Stephens
title_short Feeling “Brexit”: Nationalism and the Affective Politics of Movement
title_full Feeling “Brexit”: Nationalism and the Affective Politics of Movement
title_fullStr Feeling “Brexit”: Nationalism and the Affective Politics of Movement
title_full_unstemmed Feeling “Brexit”: Nationalism and the Affective Politics of Movement
title_sort Feeling “Brexit”: Nationalism and the Affective Politics of Movement
author_id_str_mv b949e66c7338fbd3f328eaf5b3f944a1
author_id_fullname_str_mv b949e66c7338fbd3f328eaf5b3f944a1_***_Angharad Closs Stephens
author Angharad Closs Stephens
author2 Angharad Closs Stephens
format Journal article
container_title GeoHumanities
container_start_page 1
publishDate 2019
institution Swansea University
issn 2373-566X
2373-5678
doi_str_mv 10.1080/2373566X.2019.1620623
publisher Taylor and Francis
college_str Faculty of Science and Engineering
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hierarchy_top_id facultyofscienceandengineering
hierarchy_top_title Faculty of Science and Engineering
hierarchy_parent_id facultyofscienceandengineering
hierarchy_parent_title Faculty of Science and Engineering
department_str School of Biosciences, Geography and Physics - Geography{{{_:::_}}}Faculty of Science and Engineering{{{_:::_}}}School of Biosciences, Geography and Physics - Geography
document_store_str 1
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description This article discusses what ‘Brexit’ felt like in the year following the UK vote–held on 23 June 2016–to leave the European Union through a performance called ‘The Populars’ created and performed in 2017 by Volcano Theatre, in Swansea (Abertawe). The article addresses the specific contributions that engaging affect does in the context of ‘Brexit’: as an invitation to address heightened political feelings and also, as an alternative approach to the politics of knowledge to that enabled by a focus on voter interests or identities. Overall, the article develops ways of thinking and acting politically that defy the closures of nationalist populism.
published_date 2019-12-31T04:01:27Z
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score 11.013596

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