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Unruly Women and Carnivalesque Countercontrol: Offensive Humor in Mediated Social Protest
Journal of Communication Inquiry, Start page: 019685991880048
Swansea University Author: Allaina Kilby
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DOI (Published version): 10.1177/0196859918800485
Abstract
At the Women’s March in January 2018, many protest posters featured offensive jokes at the expense of Trump’s body and behavior. Such posters were shared widely online, much to the amusement of the movement’s supporters. Through a close analysis of posts on Instagram and Twitter, we explore the role...
Published in: | Journal of Communication Inquiry |
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ISSN: | 0196-8599 1552-4612 |
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2018
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URI: | https://cronfa.swan.ac.uk/Record/cronfa45058 |
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2019-07-23T15:49:07.5092480 v2 45058 2018-10-22 Unruly Women and Carnivalesque Countercontrol: Offensive Humor in Mediated Social Protest 2c881ec9df956c1ff7cbb3eb22047bfb 0000-0003-4175-1647 Allaina Kilby Allaina Kilby true false 2018-10-22 AMED At the Women’s March in January 2018, many protest posters featured offensive jokes at the expense of Trump’s body and behavior. Such posters were shared widely online, much to the amusement of the movement’s supporters. Through a close analysis of posts on Instagram and Twitter, we explore the role of “vulgar” and “offensive” humor in mediated social protest. By highlighting its radical and conservative tendencies, we demonstrate how we can understand these practices of offensive humor as a contemporary expression of “the carnivalesque” that is complexly intertwined with social change. Journal Article Journal of Communication Inquiry 019685991880048 0196-8599 1552-4612 offensive humour, social protest, women's march, digital culture, carnivalesque 14 10 2018 2018-10-14 10.1177/0196859918800485 http://journals.sagepub.com/doi/abs/10.1177/0196859918800485 COLLEGE NANME Media COLLEGE CODE AMED Swansea University 2019-07-23T15:49:07.5092480 2018-10-22T13:12:14.9885951 Faculty of Humanities and Social Sciences School of Culture and Communication - Media, Communications, Journalism and PR Anne Graefer 1 Allaina Kilby 0000-0003-4175-1647 2 Inger-Lise Kalviknes Bore 3 0045058-14122018133537.pdf 45058pdf.pdf 2018-12-14T13:35:37.7330000 Output 473055 application/pdf Accepted Manuscript true 2018-12-13T00:00:00.0000000 true eng |
title |
Unruly Women and Carnivalesque Countercontrol: Offensive Humor in Mediated Social Protest |
spellingShingle |
Unruly Women and Carnivalesque Countercontrol: Offensive Humor in Mediated Social Protest Allaina Kilby |
title_short |
Unruly Women and Carnivalesque Countercontrol: Offensive Humor in Mediated Social Protest |
title_full |
Unruly Women and Carnivalesque Countercontrol: Offensive Humor in Mediated Social Protest |
title_fullStr |
Unruly Women and Carnivalesque Countercontrol: Offensive Humor in Mediated Social Protest |
title_full_unstemmed |
Unruly Women and Carnivalesque Countercontrol: Offensive Humor in Mediated Social Protest |
title_sort |
Unruly Women and Carnivalesque Countercontrol: Offensive Humor in Mediated Social Protest |
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2c881ec9df956c1ff7cbb3eb22047bfb |
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2c881ec9df956c1ff7cbb3eb22047bfb_***_Allaina Kilby |
author |
Allaina Kilby |
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Anne Graefer Allaina Kilby Inger-Lise Kalviknes Bore |
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Journal of Communication Inquiry |
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http://journals.sagepub.com/doi/abs/10.1177/0196859918800485 |
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description |
At the Women’s March in January 2018, many protest posters featured offensive jokes at the expense of Trump’s body and behavior. Such posters were shared widely online, much to the amusement of the movement’s supporters. Through a close analysis of posts on Instagram and Twitter, we explore the role of “vulgar” and “offensive” humor in mediated social protest. By highlighting its radical and conservative tendencies, we demonstrate how we can understand these practices of offensive humor as a contemporary expression of “the carnivalesque” that is complexly intertwined with social change. |
published_date |
2018-10-14T03:56:38Z |
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1763752855233101824 |
score |
11.037056 |