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‘Repeat the Changes Change the Repeats': Alternative Irish Poetry, in Fran Brearton and Alan Gillis, eds., The Oxford Handbook of Modern Irish Poetry

John Goodby

Pages: 607 - 628

Swansea University Author: John Goodby

Abstract

General introduction to the field, which asserts the need for far more critical attention to be devoted to the neo-modernist strain in Irish poetry, while problematising the usual distinction operated by critics and reviewers between 'alternative' and 'mainstream' poetries, and c...

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Published: Oxford Oxford University Press 2012
URI: https://cronfa.swan.ac.uk/Record/cronfa344
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spelling 2011-10-01T00:00:00.0000000 v2 344 2011-10-01 ‘Repeat the Changes Change the Repeats': Alternative Irish Poetry, in Fran Brearton and Alan Gillis, eds., The Oxford Handbook of Modern Irish Poetry a342893822b30da6f736641802def9ab John Goodby John Goodby true false 2011-10-01 FGHSS General introduction to the field, which asserts the need for far more critical attention to be devoted to the neo-modernist strain in Irish poetry, while problematising the usual distinction operated by critics and reviewers between 'alternative' and 'mainstream' poetries, and comparing the Irish situation unfavourably with those iobtaining in the UK and US. Briefly discusses Eugene Watter's The Week-End of Dermot and Grace and New Writers' Press, and the work (including the most recent) of Geoffrey Squires, Trevor Joyce, Maurice Scully and Catherine Walsh. Book chapter 607 628 Oxford University Press Oxford Irish, alternative, poetry, Trevor Joyce, Geoffrey Squires, Michael Smith, New Writers&apos; Press, Eugene Watters, The Week-End of Dermot and Grace, Maurice Scully, Catherine Walsh, James Hogan (Augustus Young), Billy Mills, J. C. C. Mays, Randolph Healy, Things That Happen, Mike Begnal, Burning Bush, The Lace Curtain, Optic Verve 14 11 2012 2012-11-14 COLLEGE NANME Humanities and Social Sciences - Faculty COLLEGE CODE FGHSS Swansea University 2011-10-01T00:00:00.0000000 2011-10-01T00:00:00.0000000 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics John Goodby 1
title ‘Repeat the Changes Change the Repeats': Alternative Irish Poetry, in Fran Brearton and Alan Gillis, eds., The Oxford Handbook of Modern Irish Poetry
spellingShingle ‘Repeat the Changes Change the Repeats': Alternative Irish Poetry, in Fran Brearton and Alan Gillis, eds., The Oxford Handbook of Modern Irish Poetry
John Goodby
title_short ‘Repeat the Changes Change the Repeats': Alternative Irish Poetry, in Fran Brearton and Alan Gillis, eds., The Oxford Handbook of Modern Irish Poetry
title_full ‘Repeat the Changes Change the Repeats': Alternative Irish Poetry, in Fran Brearton and Alan Gillis, eds., The Oxford Handbook of Modern Irish Poetry
title_fullStr ‘Repeat the Changes Change the Repeats': Alternative Irish Poetry, in Fran Brearton and Alan Gillis, eds., The Oxford Handbook of Modern Irish Poetry
title_full_unstemmed ‘Repeat the Changes Change the Repeats': Alternative Irish Poetry, in Fran Brearton and Alan Gillis, eds., The Oxford Handbook of Modern Irish Poetry
title_sort ‘Repeat the Changes Change the Repeats': Alternative Irish Poetry, in Fran Brearton and Alan Gillis, eds., The Oxford Handbook of Modern Irish Poetry
author_id_str_mv a342893822b30da6f736641802def9ab
author_id_fullname_str_mv a342893822b30da6f736641802def9ab_***_John Goodby
author John Goodby
author2 John Goodby
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publishDate 2012
institution Swansea University
publisher Oxford University Press
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hierarchy_top_title Faculty of Humanities and Social Sciences
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hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
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description General introduction to the field, which asserts the need for far more critical attention to be devoted to the neo-modernist strain in Irish poetry, while problematising the usual distinction operated by critics and reviewers between 'alternative' and 'mainstream' poetries, and comparing the Irish situation unfavourably with those iobtaining in the UK and US. Briefly discusses Eugene Watter's The Week-End of Dermot and Grace and New Writers' Press, and the work (including the most recent) of Geoffrey Squires, Trevor Joyce, Maurice Scully and Catherine Walsh.
published_date 2012-11-14T03:03:04Z
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score 11.014067

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