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Cinema as Refuge: Frank Borzage and the Mystical Tradition

Alan Bilton Orcid Logo

Film & History: An Interdisciplinary Journal, Volume: 46, Issue: 1, Pages: 33 - 42

Swansea University Author: Alan Bilton Orcid Logo

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Abstract

The article explores the late silent films of American film-maker Frank Borzage via the prism of religious ritual and visionary experience, interpreting the strangeness, beauty and narrative waywardness of 7th Heaven (1927) and Street Angel (1928) in terms of a cinematic haven or sanctuary, what S....

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Published in: Film & History: An Interdisciplinary Journal
ISSN: 1548-9922
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URI: https://cronfa.swan.ac.uk/Record/cronfa29291
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first_indexed 2016-07-27T18:56:58Z
last_indexed 2020-07-17T18:45:56Z
id cronfa29291
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spelling 2020-07-17T15:59:28.7227036 v2 29291 2016-07-27 Cinema as Refuge: Frank Borzage and the Mystical Tradition 6d9cb0e3122baad39e7f8e8bc70791e6 0000-0001-9010-3609 Alan Bilton Alan Bilton true false 2016-07-27 AELC The article explores the late silent films of American film-maker Frank Borzage via the prism of religious ritual and visionary experience, interpreting the strangeness, beauty and narrative waywardness of 7th Heaven (1927) and Street Angel (1928) in terms of a cinematic haven or sanctuary, what S. Brent Plate terms a "sacred canopy". Drawing upon the film writings of Siegfried Kracauer (1889-1966), the article explores the notion that the way to the metaphysical 'real' is via discarded matter and profane refuse. This draws upon a rich vein of religious experience - from freemasonry to Russian icons to medieval ecstatic visions -in order to conceive of the link between religion and film in a new manner. Journal Article Film & History: An Interdisciplinary Journal 46 1 33 42 1548-9922 Borzage, Religion, Film, Freemasonry, Kracauer, Matter, Visions, Silent Film, Ritual, Sanctuary 0 0 0 0001-01-01 https://www.questia.com/library/journal/1G1-457976084/cinema-as-refuge-frank-borzage-and-the-mystical-tradition COLLEGE NANME English Literature COLLEGE CODE AELC Swansea University 2020-07-17T15:59:28.7227036 2016-07-27T15:59:29.5486097 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Alan Bilton 0000-0001-9010-3609 1
title Cinema as Refuge: Frank Borzage and the Mystical Tradition
spellingShingle Cinema as Refuge: Frank Borzage and the Mystical Tradition
Alan Bilton
title_short Cinema as Refuge: Frank Borzage and the Mystical Tradition
title_full Cinema as Refuge: Frank Borzage and the Mystical Tradition
title_fullStr Cinema as Refuge: Frank Borzage and the Mystical Tradition
title_full_unstemmed Cinema as Refuge: Frank Borzage and the Mystical Tradition
title_sort Cinema as Refuge: Frank Borzage and the Mystical Tradition
author_id_str_mv 6d9cb0e3122baad39e7f8e8bc70791e6
author_id_fullname_str_mv 6d9cb0e3122baad39e7f8e8bc70791e6_***_Alan Bilton
author Alan Bilton
author2 Alan Bilton
format Journal article
container_title Film & History: An Interdisciplinary Journal
container_volume 46
container_issue 1
container_start_page 33
institution Swansea University
issn 1548-9922
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
url https://www.questia.com/library/journal/1G1-457976084/cinema-as-refuge-frank-borzage-and-the-mystical-tradition
document_store_str 0
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description The article explores the late silent films of American film-maker Frank Borzage via the prism of religious ritual and visionary experience, interpreting the strangeness, beauty and narrative waywardness of 7th Heaven (1927) and Street Angel (1928) in terms of a cinematic haven or sanctuary, what S. Brent Plate terms a "sacred canopy". Drawing upon the film writings of Siegfried Kracauer (1889-1966), the article explores the notion that the way to the metaphysical 'real' is via discarded matter and profane refuse. This draws upon a rich vein of religious experience - from freemasonry to Russian icons to medieval ecstatic visions -in order to conceive of the link between religion and film in a new manner.
published_date 0001-01-01T03:35:40Z
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