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Adapting Genre/Appropriating Icons: Rewriting Romance as An Act of Survival in Jane Campion’s 'In the Cut'

Alexia Bowler Orcid Logo

Adaptations Study Day, De Montfort University, Leicester.

Swansea University Author: Alexia Bowler Orcid Logo

Published in: Adaptations Study Day, De Montfort University, Leicester.
Published: 2009
URI: https://cronfa.swan.ac.uk/Record/cronfa26658
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first_indexed 2016-03-03T01:58:34Z
last_indexed 2018-02-09T05:08:53Z
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spelling 2016-03-03T09:39:29.9776779 v2 26658 2016-03-02 Adapting Genre/Appropriating Icons: Rewriting Romance as An Act of Survival in Jane Campion’s 'In the Cut' 728380016709439ffcd3ffd03be3ca84 0000-0002-8012-629X Alexia Bowler Alexia Bowler true false 2016-03-02 APLI Conference Paper/Proceeding/Abstract Adaptations Study Day, De Montfort University, Leicester. &apos;In the Cut&apos;; Jane Campion; adaptation; appropriation; film genre; feminism; post-feminism; Cixous; ecriture feminine; romance; language; sex; Meg Ryan; subverting narratives 30 4 2009 2009-04-30 COLLEGE NANME Applied Linguistics COLLEGE CODE APLI Swansea University 2016-03-03T09:39:29.9776779 2016-03-02T19:43:19.7663926 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Alexia Bowler 0000-0002-8012-629X 1
title Adapting Genre/Appropriating Icons: Rewriting Romance as An Act of Survival in Jane Campion’s 'In the Cut'
spellingShingle Adapting Genre/Appropriating Icons: Rewriting Romance as An Act of Survival in Jane Campion’s 'In the Cut'
Alexia Bowler
title_short Adapting Genre/Appropriating Icons: Rewriting Romance as An Act of Survival in Jane Campion’s 'In the Cut'
title_full Adapting Genre/Appropriating Icons: Rewriting Romance as An Act of Survival in Jane Campion’s 'In the Cut'
title_fullStr Adapting Genre/Appropriating Icons: Rewriting Romance as An Act of Survival in Jane Campion’s 'In the Cut'
title_full_unstemmed Adapting Genre/Appropriating Icons: Rewriting Romance as An Act of Survival in Jane Campion’s 'In the Cut'
title_sort Adapting Genre/Appropriating Icons: Rewriting Romance as An Act of Survival in Jane Campion’s 'In the Cut'
author_id_str_mv 728380016709439ffcd3ffd03be3ca84
author_id_fullname_str_mv 728380016709439ffcd3ffd03be3ca84_***_Alexia Bowler
author Alexia Bowler
author2 Alexia Bowler
format Conference Paper/Proceeding/Abstract
container_title Adaptations Study Day, De Montfort University, Leicester.
publishDate 2009
institution Swansea University
college_str Faculty of Humanities and Social Sciences
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hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
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hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
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published_date 2009-04-30T03:32:04Z
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