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'Emily Brontë'
Steven Vine
The Literary Dictionary and Encyclopoedia
Swansea University Author: Steven Vine
Abstract
The article introduces Emily Brontë’s biography and the formation and vicissitudes of her reputation. It begins by noting that the most enduring image of Brontë – as Romantic genius or native sibyl – was produced by her sister Charlotte just after her death, and that only in the later 20th century d...
Published in: | The Literary Dictionary and Encyclopoedia |
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Published: |
2001
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Online Access: |
http://www.literarydictionary.com |
URI: | https://cronfa.swan.ac.uk/Record/cronfa17989 |
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2014-05-17T01:30:04Z |
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2018-02-09T04:52:09Z |
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cronfa17989 |
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2014-05-16T12:53:17.1465807 v2 17989 2014-05-16 'Emily Brontë' 8adad05ceecbaab7f4b2be512149b4d7 Steven Vine Steven Vine true false 2014-05-16 CACS The article introduces Emily Brontë’s biography and the formation and vicissitudes of her reputation. It begins by noting that the most enduring image of Brontë – as Romantic genius or native sibyl – was produced by her sister Charlotte just after her death, and that only in the later 20th century did critics and commentators appreciate fully the complexity and subtlety of Brontë’s engagement with genre, ideology, gender, literary tradition and the politics of culture. The article charts Brontë’s strategies of self-seclusion in her writing and her life, and reads them in terms of an unspoken demand for and preservation of liberty. Website Content The Literary Dictionary and Encyclopoedia 7 7 2001 2001-07-07 www.literarydictionary.com COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University 2014-05-16T12:53:17.1465807 2014-05-16T12:52:31.0139499 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Steven Vine 1 |
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'Emily Brontë' |
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'Emily Brontë' Steven Vine |
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The article introduces Emily Brontë’s biography and the formation and vicissitudes of her reputation. It begins by noting that the most enduring image of Brontë – as Romantic genius or native sibyl – was produced by her sister Charlotte just after her death, and that only in the later 20th century did critics and commentators appreciate fully the complexity and subtlety of Brontë’s engagement with genre, ideology, gender, literary tradition and the politics of culture. The article charts Brontë’s strategies of self-seclusion in her writing and her life, and reads them in terms of an unspoken demand for and preservation of liberty. |
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2001-07-07T18:38:25Z |
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10.841611 |