Book chapter 1689 views
'"That Mild Beam": Enlightenment and Enslavement in William Blake's "Visions of the Daughters of Albion"'
Steven Vine
The Discourse of Slavery: Aphra Behn to Toni Morrison, Pages: 40 - 63
Swansea University Author: Steven Vine
Abstract
The essay argues that the radical force of Blake's 'Visions of the Daughters of Albion' (1793) is not defined by a dialectic of freedom and oppression, but the contradictory and ironic energies of Blakean language. The essay analyses the representation of enslavement, sexuality and en...
Published in: | The Discourse of Slavery: Aphra Behn to Toni Morrison |
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Published: |
London
Routledge
1994
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URI: | https://cronfa.swan.ac.uk/Record/cronfa17976 |
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2018-02-09T04:52:07Z |
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2014-05-15T16:24:24.2288857 v2 17976 2014-05-15 '"That Mild Beam": Enlightenment and Enslavement in William Blake's "Visions of the Daughters of Albion"' 8adad05ceecbaab7f4b2be512149b4d7 Steven Vine Steven Vine true false 2014-05-15 CACS The essay argues that the radical force of Blake's 'Visions of the Daughters of Albion' (1793) is not defined by a dialectic of freedom and oppression, but the contradictory and ironic energies of Blakean language. The essay analyses the representation of enslavement, sexuality and enlightenment in Visions alongside Mary Wollstonecraft's 'Vindication of the Rights of Woman' (1792). Against Wollstonecraft, Blake figures the female body not simply as ‘enslaving,’ but a site of political conflict and emancipatory potential. The essay examines the relations between Blake's text and J.G. Stedman's 'Narrative, of a Five Years' expedition, against the Revolted Negroes of Surinam' (1796) for which he provided several engravings during the period in which Visions was produced. In the poem that refigures him, and the engravings, Blake exposes Stedman's collusive and duplicitous relation to colonialism, just as 'Visions' illuminates the contradictions inherent in the ideology of ‘enlightenment.’ Book chapter The Discourse of Slavery: Aphra Behn to Toni Morrison 40 63 Routledge London 29 8 1994 1994-08-29 COLLEGE NANME Culture and Communications School COLLEGE CODE CACS Swansea University 2014-05-15T16:24:24.2288857 2014-05-15T16:23:33.0482095 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Steven Vine 1 |
title |
'"That Mild Beam": Enlightenment and Enslavement in William Blake's "Visions of the Daughters of Albion"' |
spellingShingle |
'"That Mild Beam": Enlightenment and Enslavement in William Blake's "Visions of the Daughters of Albion"' Steven Vine |
title_short |
'"That Mild Beam": Enlightenment and Enslavement in William Blake's "Visions of the Daughters of Albion"' |
title_full |
'"That Mild Beam": Enlightenment and Enslavement in William Blake's "Visions of the Daughters of Albion"' |
title_fullStr |
'"That Mild Beam": Enlightenment and Enslavement in William Blake's "Visions of the Daughters of Albion"' |
title_full_unstemmed |
'"That Mild Beam": Enlightenment and Enslavement in William Blake's "Visions of the Daughters of Albion"' |
title_sort |
'"That Mild Beam": Enlightenment and Enslavement in William Blake's "Visions of the Daughters of Albion"' |
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8adad05ceecbaab7f4b2be512149b4d7_***_Steven Vine |
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Steven Vine |
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Steven Vine |
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The Discourse of Slavery: Aphra Behn to Toni Morrison |
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40 |
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1994 |
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Swansea University |
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Routledge |
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Faculty of Humanities and Social Sciences |
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The essay argues that the radical force of Blake's 'Visions of the Daughters of Albion' (1793) is not defined by a dialectic of freedom and oppression, but the contradictory and ironic energies of Blakean language. The essay analyses the representation of enslavement, sexuality and enlightenment in Visions alongside Mary Wollstonecraft's 'Vindication of the Rights of Woman' (1792). Against Wollstonecraft, Blake figures the female body not simply as ‘enslaving,’ but a site of political conflict and emancipatory potential. The essay examines the relations between Blake's text and J.G. Stedman's 'Narrative, of a Five Years' expedition, against the Revolted Negroes of Surinam' (1796) for which he provided several engravings during the period in which Visions was produced. In the poem that refigures him, and the engravings, Blake exposes Stedman's collusive and duplicitous relation to colonialism, just as 'Visions' illuminates the contradictions inherent in the ideology of ‘enlightenment.’ |
published_date |
1994-08-29T18:38:22Z |
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1821431774638505984 |
score |
10.841611 |