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William Blake

Steven Vine

Swansea University Author: Steven Vine

Abstract

The book presents Blake as a revolutionary poet and artist: ‘I know myself both Poet & Painter’, he wrote. In his paintings, Blake created visionary images that challenge conventional perceptions. In his poetry, he joined words and images in the form of the ‘illuminated book’, where verbal and v...

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Published: Northcote House Tavistock 2007
URI: https://cronfa.swan.ac.uk/Record/cronfa17970
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first_indexed 2014-05-16T01:30:04Z
last_indexed 2018-02-09T04:52:06Z
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spelling 2014-05-15T15:26:04.3034781 v2 17970 2014-05-15 William Blake 8adad05ceecbaab7f4b2be512149b4d7 Steven Vine Steven Vine true false 2014-05-15 FGHSS The book presents Blake as a revolutionary poet and artist: ‘I know myself both Poet & Painter’, he wrote. In his paintings, Blake created visionary images that challenge conventional perceptions. In his poetry, he joined words and images in the form of the ‘illuminated book’, where verbal and visual depictions interact. A Romantic poet and religious visionary, Blake questioned Romantic assumptions and rewrote Biblical tradition in a radical mythology for his own time. He welcomed the eruption of the French Revolution and attacked Britain’s wars against revolutionary France, assaulting the social injustices of his day and critiquing the politics and psychology of power. The book introduces the full range of Blake’s poetry and illuminated books from the early Songs to the late epics, and focuses on the socially radical and challenging nature of Blake’s art - on his attempts to open what he called the ‘doors of perception’ past limiting visions and ideologies to the ‘infinite’. Book Tavistock Northcote House 30 8 2007 2007-08-30 COLLEGE NANME Humanities and Social Sciences - Faculty COLLEGE CODE FGHSS Swansea University 2014-05-15T15:26:04.3034781 2014-05-15T15:25:46.9229279 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Steven Vine 1
title William Blake
spellingShingle William Blake
Steven Vine
title_short William Blake
title_full William Blake
title_fullStr William Blake
title_full_unstemmed William Blake
title_sort William Blake
author_id_str_mv 8adad05ceecbaab7f4b2be512149b4d7
author_id_fullname_str_mv 8adad05ceecbaab7f4b2be512149b4d7_***_Steven Vine
author Steven Vine
author2 Steven Vine
format Book
publishDate 2007
institution Swansea University
publisher Tavistock
college_str Faculty of Humanities and Social Sciences
hierarchytype
hierarchy_top_id facultyofhumanitiesandsocialsciences
hierarchy_top_title Faculty of Humanities and Social Sciences
hierarchy_parent_id facultyofhumanitiesandsocialsciences
hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
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description The book presents Blake as a revolutionary poet and artist: ‘I know myself both Poet & Painter’, he wrote. In his paintings, Blake created visionary images that challenge conventional perceptions. In his poetry, he joined words and images in the form of the ‘illuminated book’, where verbal and visual depictions interact. A Romantic poet and religious visionary, Blake questioned Romantic assumptions and rewrote Biblical tradition in a radical mythology for his own time. He welcomed the eruption of the French Revolution and attacked Britain’s wars against revolutionary France, assaulting the social injustices of his day and critiquing the politics and psychology of power. The book introduces the full range of Blake’s poetry and illuminated books from the early Songs to the late epics, and focuses on the socially radical and challenging nature of Blake’s art - on his attempts to open what he called the ‘doors of perception’ past limiting visions and ideologies to the ‘infinite’.
published_date 2007-08-30T03:20:56Z
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score 11.0133505

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