Book chapter 1156 views
Public, like a frog
Jasmine Donahaye
The Writer in the Academy: Creative Interfrictions, Pages: 199 - 219
Swansea University Author: Jasmine Donahaye
Abstract
This chapter examines definitions of creative non-fiction and the intersection of creative writing and academic research, and queries the conventions of academic writing, calling for a more personally engaged kind of literary criticism. It discusses responses to Emily Dickinson, Peter Cole, Homi Bha...
Published in: | The Writer in the Academy: Creative Interfrictions |
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Published: |
Boydell and Brewer
2011
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Online Access: |
http://www.boydellandbrewer.com/store/viewItem.asp?idProduct=13735 |
URI: | https://cronfa.swan.ac.uk/Record/cronfa13990 |
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2016-10-27T03:27:17Z |
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2018-02-09T04:45:07Z |
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2016-10-26T22:44:09.0585560 v2 13990 2013-01-22 Public, like a frog 325efd0775fd3b2288584934bfb86ce9 Jasmine Donahaye Jasmine Donahaye true false 2013-01-22 This chapter examines definitions of creative non-fiction and the intersection of creative writing and academic research, and queries the conventions of academic writing, calling for a more personally engaged kind of literary criticism. It discusses responses to Emily Dickinson, Peter Cole, Homi Bhabha, Robert Southey, George Orwell, Edward Said, Thom Gunn and others. Book chapter The Writer in the Academy: Creative Interfrictions 199 219 Boydell and Brewer Creative writing, Creative non-fiction, Homi Bhabha, George Orwell, Robert Southey, Peter Cole, Thom Gunn, Emily Dickinson 20 10 2011 2011-10-20 http://www.boydellandbrewer.com/store/viewItem.asp?idProduct=13735 COLLEGE NANME COLLEGE CODE Swansea University 2016-10-26T22:44:09.0585560 2013-01-22T16:06:23.4096689 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Jasmine Donahaye 1 |
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Public, like a frog |
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Public, like a frog Jasmine Donahaye |
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The Writer in the Academy: Creative Interfrictions |
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This chapter examines definitions of creative non-fiction and the intersection of creative writing and academic research, and queries the conventions of academic writing, calling for a more personally engaged kind of literary criticism. It discusses responses to Emily Dickinson, Peter Cole, Homi Bhabha, Robert Southey, George Orwell, Edward Said, Thom Gunn and others. |
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2011-10-20T06:26:05Z |
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11.047501 |