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'"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'

Sarah Gamble

LIT: Literature Interpretation Theory, Volume: 20, Issue: 1/2, Pages: 126 - 140

Swansea University Author: Sarah Gamble

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Abstract

Analyses three contemporary neo-Victorian novels - Angela Carter's 'Nights at the Circus', Sarah Waters' 'Tipping the Velvet' and Wesley Stace's 'Misfortune' - which use the trope of cross-dressing in order to uncover queer nineteenth century narratives t...

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Published in: LIT: Literature Interpretation Theory
ISSN: 1043-6928
Published: Philadelphia, PA Routledge 2009
Online Access: Check full text

URI: https://cronfa.swan.ac.uk/Record/cronfa11434
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first_indexed 2013-07-23T12:05:39Z
last_indexed 2018-02-09T04:41:04Z
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spelling 2013-09-23T12:58:01.6141829 v2 11434 2012-06-14 '"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel' 160e40d8c289a3b332b4aef83893421c Sarah Gamble Sarah Gamble true false 2012-06-14 AELC Analyses three contemporary neo-Victorian novels - Angela Carter's 'Nights at the Circus', Sarah Waters' 'Tipping the Velvet' and Wesley Stace's 'Misfortune' - which use the trope of cross-dressing in order to uncover queer nineteenth century narratives that run counter to public discourses regarding gender and propriety. In the processs, it also enables the authors of these texts to pass metafictional comment on the neo-Victorian project as itself an exercise in masquerade. Journal Article LIT: Literature Interpretation Theory 20 1/2 126 140 Routledge Philadelphia, PA 1043-6928 Queen Victoria, emmanlinancy, queer, transgender, neo-Victorian. 31 12 2009 2009-12-31 COLLEGE NANME English Literature COLLEGE CODE AELC Swansea University 2013-09-23T12:58:01.6141829 2012-06-14T15:38:35.9311289 Faculty of Humanities and Social Sciences School of Culture and Communication - English Language, Tesol, Applied Linguistics Sarah Gamble 1
title '"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'
spellingShingle '"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'
Sarah Gamble
title_short '"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'
title_full '"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'
title_fullStr '"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'
title_full_unstemmed '"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'
title_sort '"You cannot impersonate what you are": Questions of Authenticity in the Neo-Victorian Novel'
author_id_str_mv 160e40d8c289a3b332b4aef83893421c
author_id_fullname_str_mv 160e40d8c289a3b332b4aef83893421c_***_Sarah Gamble
author Sarah Gamble
author2 Sarah Gamble
format Journal article
container_title LIT: Literature Interpretation Theory
container_volume 20
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container_start_page 126
publishDate 2009
institution Swansea University
issn 1043-6928
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college_str Faculty of Humanities and Social Sciences
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hierarchy_top_title Faculty of Humanities and Social Sciences
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hierarchy_parent_title Faculty of Humanities and Social Sciences
department_str School of Culture and Communication - English Language, Tesol, Applied Linguistics{{{_:::_}}}Faculty of Humanities and Social Sciences{{{_:::_}}}School of Culture and Communication - English Language, Tesol, Applied Linguistics
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description Analyses three contemporary neo-Victorian novels - Angela Carter's 'Nights at the Circus', Sarah Waters' 'Tipping the Velvet' and Wesley Stace's 'Misfortune' - which use the trope of cross-dressing in order to uncover queer nineteenth century narratives that run counter to public discourses regarding gender and propriety. In the processs, it also enables the authors of these texts to pass metafictional comment on the neo-Victorian project as itself an exercise in masquerade.
published_date 2009-12-31T03:13:13Z
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